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The composition/design for Aerial Interpretation 8 was born from looking at photos taken by his DJI drone. He agrees with Hans Hoffman that all abstract painting is rooted in the real - a landscape or a figure or a still life. 
As the painting develops, He keeps in mind the modern art idea that the medium itself (paint, charcoal, graphite,etc.) has an equal voice as the drawing/composition in telling the story on canvas. The lines, the drips, the thick and thin paint, the runs are all part of the conversation.
He also agrees with Barnett Newman that its the content that attracts and keeps the viewer engaged. He hopes Aerial Interpretation 8 has interesting content and color and design.
The composition/design for Aerial Interpretation 8 was born from looking at photos taken by his DJI drone. He agrees with Hans Hoffman that all abstract painting is rooted in the real - a landscape or a figure or a still life. 
As the painting develops, He keeps in mind the modern art idea that the medium itself (paint, charcoal, graphite,etc.) has an equal voice as the drawing/composition in telling the story on canvas. The lines, the drips, the thick and thin paint, the runs are all part of the conversation.
He also agrees with Barnett Newman that its the content that attracts and keeps the viewer engaged. He hopes Aerial Interpretation 8 has interesting content and color and design.
The composition/design for Aerial Interpretation 8 was born from looking at photos taken by his DJI drone. He agrees with Hans Hoffman that all abstract painting is rooted in the real - a landscape or a figure or a still life. 
As the painting develops, He keeps in mind the modern art idea that the medium itself (paint, charcoal, graphite,etc.) has an equal voice as the drawing/composition in telling the story on canvas. The lines, the drips, the thick and thin paint, the runs are all part of the conversation.
He also agrees with Barnett Newman that its the content that attracts and keeps the viewer engaged. He hopes Aerial Interpretation 8 has interesting content and color and design.
The composition/design for Aerial Interpretation 8 was born from looking at photos taken by his DJI drone. He agrees with Hans Hoffman that all abstract painting is rooted in the real - a landscape or a figure or a still life. 
As the painting develops, He keeps in mind the modern art idea that the medium itself (paint, charcoal, graphite,etc.) has an equal voice as the drawing/composition in telling the story on canvas. The lines, the drips, the thick and thin paint, the runs are all part of the conversation.
He also agrees with Barnett Newman that its the content that attracts and keeps the viewer engaged. He hopes Aerial Interpretation 8 has interesting content and color and design.
The composition/design for Aerial Interpretation 8 was born from looking at photos taken by his DJI drone. He agrees with Hans Hoffman that all abstract painting is rooted in the real - a landscape or a figure or a still life. 
As the painting develops, He keeps in mind the modern art idea that the medium itself (paint, charcoal, graphite,etc.) has an equal voice as the drawing/composition in telling the story on canvas. The lines, the drips, the thick and thin paint, the runs are all part of the conversation.
He also agrees with Barnett Newman that its the content that attracts and keeps the viewer engaged. He hopes Aerial Interpretation 8 has interesting content and color and design.

122 Views

5

View In My Room

Aerial Interpretation 8 Painting

Steven Page Prewitt

United States

Painting, Oil on Canvas

Size: 18 W x 24 H x 1.5 D in

Ships in a Box

SOLD
Originally listed for $595

122 Views

5

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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The composition/design for Aerial Interpretation 8 was born from looking at photos taken by his DJI drone. He agrees with Hans Hoffman that all abstract painting is rooted in the real - a landscape or a figure or a still life. As the painting develops, He keeps in mind the modern art idea that the ...

Year Created:

2018

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

18 W x 24 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

I love art. I love making art. I love building. I look at art everyday even if I don't have time to make it. I love painting; I love drawing and mark making, print making, and construction. I love layers. I live for pentimenti. I love art history. Like Matthew in the Bible traces the genealogy of Jesus back to the beginning of man, I trace my "lineage" of art back to Manet, Monet and Cezanne. Van Gogh. Matisse. Mondrian and Kandinsky. de Stael. Motherwell, Newman and Hoffman. Rothko, Kline and Pollock. Hopper and Avery. Diebenkorn. Johns. Stella. Dunlap.Reedy. Gusterson, Simons, Burridge and Brown. I have their pictures and quotes on my studio walls. I hope I would make them proud and make art worthy of their influences. For me and my journey, it is very important to know and understand the who, what, when, why, and how these Modern Art Masters created. My personal, intimate experience of mixing colors, stretching canvases, framing prints, holding brushes, or charcoal, or graphite, or scissors is built upon my passion for the Modern Masters and my teacher/mentors. The foundation they laid for me is at the core of my language/ style/ approach to making art. Like Motherwell stated, I work in series because a good thought usually cannot be communicated in just one picture. Artists need a language. Artists build our own language- one mark, one painting at a time. Contemporary. Direct and reactive, spontaneous- yet- intentional. Overlapping and over-painting. Heavy-handed and manly describes my artistic personality. My style and application of my mediums (acrylics, oils, inks, graphite, collage, charcoal, watercolor) is more like a framing carpenter than a master furniture maker. I always build in layers of medium. Under-painting, mark-making, paint, sometimes collage, sometimes mono printing. More paint, more marks and so on.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Dallas

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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