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Alice in Notting Harbor
© 2020
Media: oil & mastic on canvas

On first impression this is a picture of a city street seen from under a a brilliant green-striped awning reaching overhead with a couple walking away from us toward an orange-red building, along glass storefronts in shade that reflect the opposite skyline rimmed in sunlight. But there's a second image that's seen through the stripes: a narrow harbor in shadow with some boats docked in front of small buildings climbing a hill behind. And in the foreground, the city street is actually a canal with a wide, dark green boat at the sidewalk's edge, as seen from behind, with the name on it's stern: 


Wanderlust
Notting Harbor

Most of the foreground image is painted in the blues of shade, with the guy in a leather jacket and the girl with wavy long hair of the same color, carrying a bouquet of yellow flowers pointing down at the ground like she's been swirling them around. Behind them is a curved corner glass storefront bathed in sunlight with a draped sign that reads "Alice's" ...perhaps known to you as the funky antique store on Portobello Road in Notting Hill, London. The picture has some slightly quirky details... the other side of the street is painted in a yellow blur, like it's maybe a bus passing by quickly, but not quite that. In the storefront next to the couple there's the shadow of a light pole that extends down from the harbor image merging with the rest of the window display except that it appears to have an upside-down top hat as its base, and the boat's rope tied around it makes it more of a dock bollard.

Still the primary impression is the arc of green and pale yellow stripes that sweeps down from the top with half in bright sunlight, and half in shade.

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Alice in Notting Harbor Painting

Jeff Carpenter

United States

Painting, Oil on Canvas

Size: 22 W x 32 H x 2 D in

Ships in a Box

SOLD
Originally listed for $4,875

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ABOUT THE ARTWORK

Alice in Notting Harbor © 2020 Media: oil & mastic on canvas On first impression this is a picture of a city street seen from under a a brilliant green-striped awning reaching overhead with a couple walking away from us toward an orange-red building, along glass storefronts in shade that reflect the opposite skyline rimmed in sunlight. But there's a second image that's seen through the stripes: a narrow harbor in shadow with some boats docked in front of small buildings climbing a hill behind. And in the foreground, the city street is actually a canal with a wide, dark green boat at the sidewalk's edge, as seen from behind, with the name on it's stern: Wanderlust Notting Harbor Most of the foreground image is painted in the blues of shade, with the guy in a leather jacket and the girl with wavy long hair of the same color, carrying a bouquet of yellow flowers pointing down at the ground like she's been swirling them around. Behind them is a curved corner glass storefront bathed in sunlight with a draped sign that reads "Alice's" ...perhaps known to you as the funky antique store on Portobello Road in Notting Hill, London. The picture has some slightly quirky details... the other side of the street is painted in a yellow blur, like it's maybe a bus passing by quickly, but not quite that. In the storefront next to the couple there's the shadow of a light pole that extends down from the harbor image merging with the rest of the window display except that it appears to have an upside-down top hat as its base, and the boat's rope tied around it makes it more of a dock bollard. Still the primary impression is the arc of green and pale yellow stripes that sweeps down from the top with half in bright sunlight, and half in shade.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

22 W x 32 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Carpenter was born in 1953 in Greenville, Delaware, U.S.A. He studied with the painter Tom Bostelle near home and then went to the Rhode Island School of Design, where he earned a BFA in Film, in 1976. His work has been shown at the Museum of Contemporary Art, Denver, P.S.1, New York, and the Centre Pompidou, Paris. Carpenter's painting style is a cross between old master techniques and expressionism. He makes marks with flicks of a fully-loaded palette knife, but to a precise rendering of hue and tone in a representational image. The image is built up in countless layers of oil glazes, much as Vermeer worked, only in thick impasto. Peeking through the layers are often the transparent traces of a map or poetry. This idea is borrowed from pentimento, the inherent feature of oil paint that, as it dries, it becomes more transparent, revealing what's underneath.

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