85 Views
7
View In My Room
Painting, Oil on Other
Size: 40 W x 40 H x 0.1 D in
Ships in a Box
85 Views
7
Artist featured in a collection
This painting is available at Arden Gallery. I noticed this striking signage for an abandoned pizza place while driving through Pawtucket, RI. I fell in love with the shape of the sign, the colors, typography and the shadows created by the neon and light bulbs. I knew I needed to paint this subject to document its beauty. The pizza place now has a new owner and this signage has been modified. This oil painting was done carefully and meticulously by hand, without masking. It took months to complete. The hard-edged paint application is very smooth and flat, without visible brushstrokes. The result is a bold, graphic portrait that reflects what I find most powerful about this sign. Archie's Pizza is painted on a smooth, 1/8" aluminum composite panel. This painting will require a frame in order to be hung. It is signed on the back.
2016
Oil on Other
One-of-a-kind Artwork
40 W x 40 H x 0.1 D in
Not Framed
Not applicable
Ships in a Box
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I’ve come to think of my paintings as portraits, even though my subjects are inanimate objects. With each my paintings, I’m trying to visually articulate to the viewer what I find beautiful or poignant about a particular sign. My creative career started with studying industrial design and graphic design at RISD. After graduating, I settled in Providence, RI . Around that time, I became interested in historic preservation as I noticed some of my favorite local architecture and signage being torn down for new development. I also was at the beginning of my design career, but soon found that I had more to express than is possible with design alone. I longed to make art. I began to paint and quickly focused on using painting as a medium to document the buildings and signs that I loved. As my painting progressed, I started to hone in on the signs themselves. To me, a sign can embody a lot of meaning- history, community, commerce, impermanence, obsolescence. I am also taken by the sculptural beauty of signs and strive to pay homage to the craftsmanship and artistry of the sign maker. My process for creating a painting begins with extensive photography of a subject. Back in my studio, I choose my reference photograph based on the angle that I feel best accentuates the subject. Working from that photograph, I create a drawing— cropping, editing and adjusting in order to create an impactful image. I choose to eliminate rust and texture, opting to focus on form. Every element included in the image is intended to enhance the composition and direct the eye. My approach to painting combines hard-edge technique and carefully blended transitions. I work in oils, applying paint slowly and meticulously, without masking. I eliminate visible brushstrokes, aiming to create a textureless surface. The result is a bold, graphic, idealized portrait that reflects what I find most powerful about the subject.
Artist featured by Saatchi Art in a collection
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