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I did a workshop at Bethells Beach whilst in New Zealand for an art group, one of which owned a property that overlooked the bay and beach below. This part of the West Coast, a short drive from the city of Auckland, had a long, beautiful beach and large caves that made for a fantastic series of workshops. I did a couple of talks here, and also managed to do a few drawing studies to make paintings later on. This is one of these studies- also influenced by studio interiors made in the 2020-21 lockdown, and from Richard Diebenkorn’s balcony studies that he made in the 1950’s.
I did a workshop at Bethells Beach whilst in New Zealand for an art group, one of which owned a property that overlooked the bay and beach below. This part of the West Coast, a short drive from the city of Auckland, had a long, beautiful beach and large caves that made for a fantastic series of workshops. I did a couple of talks here, and also managed to do a few drawing studies to make paintings later on. This is one of these studies- also influenced by studio interiors made in the 2020-21 lockdown, and from Richard Diebenkorn’s balcony studies that he made in the 1950’s.

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Balcony at Bethalls Beach Painting

Tom Voyce

United Kingdom

Painting, Oil on Wood

Size: 7.9 W x 11.8 H x 0.3 D in

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SOLD
Originally listed for $1,120

83 Views

17

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

I did a workshop at Bethells Beach whilst in New Zealand for an art group, one of which owned a property that overlooked the bay and beach below. This part of the West Coast, a short drive from the city of Auckland, had a long, beautiful beach and large caves that made for a fantastic series of workshops. I did a couple of talks here, and also managed to do a few drawing studies to make paintings later on. This is one of these studies- also influenced by studio interiors made in the 2020-21 lockdown, and from Richard Diebenkorn’s balcony studies that he made in the 1950’s.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

7.9 W x 11.8 H x 0.3 D in

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Tom Voyce

Tom Voyce

United Kingdom

Tom Voyce (b. 1989) is an established UK painter with international exposure. His subject matter comprises of a variety of different themes such as airports, railway stations, roads and bridges and other places of transit. Voyce’s compositions consistently demonstrate an interest in the formal elements of composition: structure, perspective, shape and light. His paintings are accounts of fleeting moments within a landscape; the fall of light on a building, or the shadows cast by a motorway flyover. The strength in these pieces lies not in their faithful depiction of a landscape, but in their suggestion of a sense of place, of being present within a particular space at a particular moment. Artists such as Edward Hopper and Richard Diebenkorn have been immensely influential in his development, as have more contemporary artists- American painter Ben Aronson amongst others. Hopper's proverb, "if you can say it in words, then there's no reason to paint it", forms a principal part of my attitude towards the uniquely communicative purpose of art. His latest body of work entitled 'In Transit' is influenced by travel and place, exploring the landscapes and cityscapes of Canada, the United States, Fiji and New Zealand.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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