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Shown framed for presentation only. Frame is NOT included

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Blue Fish Cove Highlights Painting

Tatyana Fogarty

United States

Painting, Oil on Canvas

Size: 16 W x 12 H x 0.2 D in

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ABOUT THE ARTWORK

Cliffs lined with wind-sculpted cypress trees, embracing the hidden secluded coves have been an endless inspiration for my paintings of coastal California scenes in different seasons and times of day. In this work, the setting sun highlights the tops of Monterey cypress trees, running down the cliffs of Bluefish Cove in Point Lobos. Materials: Oil on oil-primed Claessens Belgian linen, mounted on the archival museum quality Gatorfoam panel. Painting surface is protected with a coat of Gamvar varnish. This painting is unframed, and it will require a frame to hang. Images showing the artwork framed in home interiors are for presentation of potential framing ideas only. Frame is NOT included.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

16 W x 12 H x 0.2 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Signature member of American Impressionist Society (AIS),Signature Member of Laguna Plein Air Painters Association (LPAPA); and an Artist Member of California Art Club (CAC). All my childhood and youth I lived and breathed music. The transition from playing piano to transferring this inner music on canvas with oil paint happened later in life. I see my art as visual music. I try to bring it to life with harmonious colors, which emanate joy and peace. I infuse each of my brush strokes with its own kind of melody. My hope is that the viewers will hear the sounds and rhythms of that music as they look at my work, and it will generate the same emotions and connections that I had when painting that piece. I am inspired by the way light shapes the landscape, and I strive to capture it on canvas. I often paint en plein air (on location), which allows me to use all my senses to interpret a scene in front of me with a sense of immediacy and honesty. I choose to paint in oils, because I love their robust quality of bright, luminous colors, which are easily bendable and capable of retaining texture and showing brushstrokes. My favorite starting point for the landscape painting is the golden light of late afternoon, known as the “magic hour”, which creates the most intriguing and fascinating effects by merging captivating shadow patterns and warm, luminous color of the setting sun.

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