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Assembled and painting just beginning
The pieces just before assembly
The working drawing for The Blue Whale

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Blue Whale Painting

Peter Root

United States

Painting, Oil on Wood

Size: 58 W x 38 H x 9 D in

Ships in a Crate

SOLD
Originally listed for $11,000

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ABOUT THE ARTWORK

‘Blue Whale’ is a piece commissioned by a good friend and colleague. His company (Research Casting International, Canada) does a wide variety of things related to natural history museum collections. One assignment was to retrieve the bones of a Blue Whale that had sadly died during a fierce winter storm, a storm that compacted the sea ice in the St. Lawrence Bay to such an extent that several mammals could not reach the surface for fresh air. I was fortunate enough to join RCI on this adventure- a truly smelly, disgusting and mainly wonderful experience! Several years afterwards, my friend and his wife commissioned this piece. These unique sculpture/paintings are 3 dimensional works; Baltic birch plywood cutouts, assembled with various background structures (sometimes a welded steel framework, sometimes screws and glue) then painted with oils. I love the whole process of designing, engineering, constructing and then painting these sculpture/paintings.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

58 W x 38 H x 9 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Peter Root has been making art all his life though until recently, this was a parallel passion to his career as an architect and his work in facilities management at private colleges and universities including the University of Southern California, Stanford University and Amherst College. Born in Florida and raised in southern California with periods in Paris, France, he now lives with his wife and dogs in Vermont. His interest in painting and making art and his background in architecture come together in his sculpture paintings. These sculpture paintings are layered, not unlike an architect’s topographic map is layered- discrete segments roughly corresponding to their relative elevation or relief are cut out of plywood, assembled with a variety of structural elements and then the whole is painted. The current body of work is mainly (life size and larger) portraits however he doesn’t see himself strictly as a portraitist. “People are endlessly fascinating to me although for my art, I’m not trying to represent a specific individual so much as depict a gesture or expression to convey both a sense of a real person as well as a casual emotion that many people might connect with in themselves.” On the face of it (no pun intended) this work may not conjure up a connection to cubism but in fact Peter is really attracted to the problem of time and point of view in a static image. “There is no single viewpoint in which the viewer is able to take in the whole work. As one moves around, the impression received is constantly changing.” The canvas paintings are obviously more conventional portraits but in a sense, and with all due respect to the models for whom he has enormous appreciation and respect, Peter sees these works as faster and more spontaneous studies in light, form, scale and color which ultimately feeds back into the sculpture paintings. For more information, to see additional works or place an order for a limited edition, signed reproduction, please visit:

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