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Painting, Gouache on Paper
Size: 25 W x 38 H x 0.1 D in
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Berg started his musical education at the age of six when he began studying classical piano. He began playing the saxophone at the age of thirteen. He studied at the High School of Performing Arts and Juilliard before leaving school to tour. Berg was influenced by the late 1964–67 period of John Coltrane's music.[2] A student from the hard bop school, Berg played from 1973 to 1976 with Horace Silver and from 1977 to 1983 with Cedar Walton. Berg became more widely known when he joined Miles Davis band in 1984. After leaving Davis's band in 1987, Berg released a series of solo albums and also performed and recorded frequently in a group co-led with guitarist Mike Stern. On these albums he played a more accessible style of music, mixing funk, jazz and even country music with many other diverse compositional elements to produce albums. He often played at the 7th Avenue South NYC club. He worked with Chick Corea, Steve Gadd and Eddie Gómez in a quartet. Berg's tenor saxophone sound was a synthesis of rhythm and blues players such as Junior Walker and Arnett Cobb with the lyricism, intellectual freedom and soul of Wayne Shorter, Joe Henderson and John Coltrane. Berg was killed in a traffic accident in East Hampton, New York, while driving near his home with his wife.[1] The person who crashed into his car was driving a cement truck that skidded on ice
2020
Gouache on Paper
One-of-a-kind Artwork
25 W x 38 H x 0.1 D in
Black
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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JazzHead Studios is a collection of artworks inspired by and about the feelings and intensities from Jazz music. This collection all mixed mediums or original works on paper. My name is Carl H.Bradford III. I'm a bit of a creative idealist when it comes to my work. I surround myself with the many creative efforts of classic jazz and up and coming jazz musicians, bouncing between the older classics and the new. I feel I have a vast array of inspiration with all the past and present music available. Once I have that music in my ears, it inspires me to create my jazz works on paper. I search everywhere for jazz imagery, or I look in my own personal image collection for that perfect shot. As a graphic designer, I have been influenced by years of editorial image searches. Then hone in on an artist who is fully engaged in deep, musical thought. This is what pushes me to create the many layers that I call my JazzArt. My works can be subtle or dynamic, having color, texture and execution options. It is free flowing or graphic in nature. I work in a mixed medium approach using coffee grounds, watercolors, inks, dyes, pencils and pastels. I lock down each pass of the pastels with fixative, then add the next layer of emotion and color. For many years, I blended my multi-colored wash backgrounds with metallic, inks and dyes. This gave me a background on which to rest, or to pull out the figurative features in my compositions. This visually abstracted the coloring and highlights of my subjects. For the past 6 years, I have done the reverse - locking the features into the top layers with the background layers blended around the subjects. Though I’m still experimenting with new approaches, color techniques, formats and executions, I see myself capturing or recording the history of jazz for a new generation of traditionalists. The only way to survive is to evolve. The only way to evolve is to be creative.
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