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Brother Ray McCallister

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"Brother Ray" Painting

Anthony Feyer

United States

Painting, Encaustic on Canvas

Size: 54 W x 48 H x 2 D in

Ships in a Crate

$19,500

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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"Brother Ray" is a captivating figurative painting that offers a glimpse into the unique culture of snake handling churches in Appalachia. This piece is the culmination of five years of dedicated work, documenting this fascinating subculture. Crafted with oil and encaustic, the artist has also inco...

Year Created:

1994

Mediums:

Painting, Encaustic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

54 W x 48 H x 2 D in

Ready to Hang:

Yes

Frame:

Gold

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

I have spent the last three decades documenting sub-cultures as diverse as snake handlers in West Virginia to Furries at their conventions. My interest is in the cultural anthropology of the groups to whom I am attracted. The themes I have explored for the past three decades have all required extensive research and field work. The 5 major themes that I have examined include: Snake-handling churches throughout Appalachia. Small town stock car races—“Enduros”. A series of paintings examining the harsh, unforgiving landscape and rough denizens of Southeast Alaska. New York City in the 80's when it was in decay. And my most recent subject, "Furries". I am not an art world insider, like the sub-cultures I explore, I have remained on the margins. In all my explorations, I have been drawn to subjects to which I have had no prior contact. The study becomes the educational experience which I chronicle in my paintings and video. The people in my work tend to be outsiders, working-class and marginalized, often with great hesitation to open themselves to outsiders. The focus is not just on the dramatic visual content, but also on these various hidden, often doomed, subcultures. The themes have a common thread that runs through them which is the element of danger as a form of recreation, occupation or spiritual belief.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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