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Painting, Oil on Canvas
Size: 36 W x 48 H x 1.7 D in
Ships in a Crate
$4,995
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ABOUT THE ARTWORK
"Bryce Canyon 2" is a large 48"x36" original oil painting on canvas. The composition centers on the canyon's iconic rock formations, which appear in an array of red, orange, and purple shades, mirroring the natural depth and texture of the canyon walls. The foreground’s light sandy tone sets a serene foundation for the more saturated colors of the mid and background. The artist’s complex handling of the cliff faces adds to the sense of vastness and intricacy in the piece. A clear blue sky contrasts sharply and beautifully with the earthy tones below, enhancing the painting's vibrant and dynamic quality. The vertical design is particularly noteworthy, emphasizing the towering formations and depth of the canyon in a unique and compelling way. Overall, "Bryce Canyon 2" is a vivid portrayal of natural beauty, conveying a sense of grandeur and awe that is characteristic of this remarkable landscape. 'Bryce Canyon 2' will be shipped signed in a free gallery style slat frame as shown prepared for hanging with its Certificate of Authenticity enclosed.
Original Created:
2024
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Painting:
Oil on Canvas
Original:
One-of-a-kind Artwork
Size:
36 W x 48 H x 1.7 D in
Frame:
Other
Ready to Hang:
Yes
Packaging:
Ships in a Crate
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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George Brinner
United States
Loren Dunlap’s innovative two-dimensional design program at John Herron Art Institute in Indianapolis was an early influence that persists today in my approach to painting. It gave me a unique foundation – a specific point of view. After two years at Herron, I received a scholarship from Tulane University’s Sophie Newcomb in New Orleans. The Abstract Expressionists were all the rage in ‘the art world’ then; DeKooning and that crowd. (One of the most celebrated, Helen Frankenthaler, while only briefly my instructor at Newcomb, absolutely changed my way of thinking about the making of art.) From Tulane, I was selected to work on the Owenite restoration Project in New Harmony, Indiana and was an adviser and instructor for the Blaffer Foundation Art Project that followed. I came to Hawaii by chance in the summer of nineteen seventy-eight and began a long-lasting affiliation with Lynn Shue and her Village Gallery Contemporary in Lahaina. I have been a resident of Maui ever since. [Since the summer of 2014 I have also been spending part of each year in Arizona and working out of my studio there.]
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