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Painting, Pastel on Paper
Size: 39.4 W x 39.2 H x 0 D in
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Butterfly painting “Bamboo treebrown” (Lethe europea) is full of delicate nuances, it is filled with many shades of ochre, orange, and brown, from very light to deep reddish ones. The whole painting is complemented by cold pink and dark deep purples. This composition is based on a limited colour palette, yet it is full of details and nuances. White spots shine amid the tangle of earth tones. It is a calm, static composition, yet hypnotizing, white lines running vertically through the delicate wings catch the eye, and dark eyes peek at the viewer with suspicion. This painting catches the eye and urges the viewer to come closer, to appreciate the nuances and details. How often have you wanted to watch a butterfly’s wings shimmer in the sun? We know well that butterflies are skittish creatures, it is difficult to get close to watch them in concentration, and yet sometimes it happens that some decide to sit next to us, or even directly on our skin, we can look at this surprising creation of nature and suddenly an insect breaks off and is gone. In fact, there is no butterfly in the painting, only wings hung in the empty, vibrating space of paper, waiting motionless for our gaze.
Painting:Pastel on Paper
Original:One-of-a-kind Artwork
Size:39.4 W x 39.2 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Poland.
Customs:Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.
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My paintings draw from the world of plants and animals. I am inspired by these worlds, I like to transform them, simplify them, change their colors and add meaning to them. I enjoy the huge bouquets bursting from the vases. I am fascinated by the hare's crazy eyes that are following me in the studio. I use various media in Vases and Totems. Often the base is acrylic paints. Based on this, I start using contrasts. Thick and thin lines as well as spots and smooth color transitions argue for their place. My works are full of colors, shapes, lines, spots, thick lines and patterns. Based on the description, they could be accused of chaos and disharmony, but this is not the case. The compositions are mostly static, hieratic, central, even if they use asymmetry, they maintain balance. Every rebellion has its own framework here - a framework within which it is fulfilled. Totems are popcorn-flavored ice cream - the flavour is nice, but a bit strange. A pink lynx stares at us with its yellow eyes, a squirrel swims with a shoal of fish, an ibis stands on the fox's head. Totems are a reflection of us - individuals. Mostly composed of three dominant animals, these animals represent our human rationality (brain), feelings (heart) and what we feel subconsciously (guts). Totems can illustrate what we are like, what we strive for, what we want to become. Vases are an exotic, salty-spicy-sweet ramen. All ingredients create a coherent composition, but each ingredient can be removed, eaten separately, or replaced with another. The space is conventional, it is invaded by flatness and lack of perspective. There are many contrasts here - geometry next to biological, soft forms. Elements bordering on realism are located next to schematic, simple forms. Light and dark, dense and tight next to spaces full of breath, they try to stay in balance here.
Artist featured by Saatchi Art in a collection
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