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CONFLAGRATION Painting

Deborah Kruger

Mexico

Painting, Fiber on Other

Size: 78 W x 57 H x 3 D in

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$11,500USD

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About The Artwork

CONFLAGRATION, takes the shape of the map of the Mexican state of San Luis Potosi where many bird species are threatened due to rainforest destruction. The abstract piece is organized along horizontal topographic lines and the center section is gold, embellished with waxed linen thread and wire thread and meant to evoke the fires in the Amazon Rainforest and bush in Australia that were raging during the time I was creating this piece. The feathers are made from recycled plastic, hand screen-printed with images of endangered birds and overprinted with text in endangered languages such as Yiddish, Shorthand, numerous indigenous languages and excerpts of Rachel Carson's Silent Spring in English and Spanish. My hope is that viewers will be intrigued by the size and materiality of my large format pieces and unusual choice of recycled materials that from a distance, appear to be fabric. I also hope that they also become curious about the content of the work. This piece is part of my ongoing map series.

Details & Dimensions

Multi-paneled Painting:Fiber on Other

Original:One-of-a-kind Artwork

Size:78 W x 57 H x 3 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My latest work focuses on the tragic losses of the 21st century, specifically the extinction of bird species and the death of indigenous languages around the world. The pieces also echo the forced migration of humans, who are similarly victims of war, poverty, famine, climate change, and habitat fragmentation. I create feathered textile paintings, sculptures and installations inspired by murmuration, the fantastic shapes formed by the coordinated flight patterns of starling flocks. Many pieces also follow the outlines of countries and states where there are endangered bird species. The feathers are cut from fused recycled plastic bags and then silk-screened with images from my drawings of endangered birds. The feathers are overprinted with text in endangered languages such as Tzotzil, Yakme, Shorthand and Yiddish, whose last living speakers/users are in steep decline. The plastic feathers embed a layered narrative that addresses the global consumerism driving the loss of both bird and human habitat. I have thus been able to use my prior experience in wallpaper and textile design in the service of broad ecological and cultural concerns. My team-based studio employs women from the local community for silk screening, production and assembly, image development, grants writing, filmmaking, social media, and web design. My hope is that our collaboration fosters professional development in creative arts, ecological awareness and personal empowerment. Wallpaper design and patterning have influenced Kruger’s work since her training in textile design at the Fashion Institute of Technology in New York City. She has taught, lectured and exhibited her artwork in museums, galleries and universities throughout the US, Mexico, Europe and Australia since the 1980s. Recent career highlights include a 2022 solo exhibition titled Avianto at the Train Station Museum Chapala, Mexico. Parts of this exhibition plus new work will be featured at a solo exhibition at the Joan Derry Berry Gallery at Tennessee Tech University in 2023. Two of Kruger’s large-scale environmental artworks have been acquired by the Museum of Arts and Design (MAD) in New York City and will be on view beginning in May 2024. Her prize-winning work was featured at the Bernard Heller Museum, NYC, the Contemporary Art Museum, Raleigh, NC, the Atlanta-Hartsfield International Airport in Atlanta, GA, the Diego Rivera Museum, Mexico City, and the Saco Art Museum, Saco, ME.

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