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Circle of life Painting

Prasong Kantanee

Germany

Painting, Oil on Canvas

Size: 299.2 W x 53.1 H x 2 D in

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$54,000

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About The Artwork

Circle Of Life A cycle of four paintings reflecting my idea of the “Circle Of Life”, comprising the four stages: Birth, Adolescence, Death and Re-Birth. Since most of my paintings are about symbols so also in this work I like to combine objects which in each case become part of my stories. The combination of well-known images with everyday objects in my own interpretation is a constant and re-occurring feature of my work. I have chosen to create each of the four stages in a different epoch: Classic, Modern, Contemporary and Futuristic. The first stage: Birth For me, there is no other image in this world which better expresses the meaning of “Birth Of Mankind” than the most famous painting “Creation Of Man” by Michelangelo at the Sistine Chapel. Therefor I have integrated this image into my painting for the first stage of the “Circle Of Life”, the “Birth” as the first appearance of mankind. I do believe the life on earth is the result of a fortuitous incident in the universe where several necessary elements have come together in the right time , the right place, the suitable environment and, of course, been blessed with the touch of God’s kind hand. Unlike the original painting by Michelangelo, my work suggests that Men and Women have been created at the same time. Since in most societies Men are considered ( or consider themselves) as more important than Women I - as an irony - display God making Men on a luxurious grand piano while Women have to stay on the floor. Personally, I disagree with this concept since I worship Women even more as I adore my mother above all. The second stage: Adolescence The main idea behind this painting is corresponding to that of Christian Faith being “Expelled From Eden”. After we are born, we first learn from our parents how to speak, to eat, to feel, to think, to understand the value of life and how to behave socially. At a later stage we learn the more practical things that help us to survive in our society from school and other institutions: we observe, we study, we wonder, we imitate, we check out new things, we create, we invent, we work as a team, we assume our responsibilities to ourselves and to others, we do good, we sin and we play our role and part in society. We simply live our life as best as we can. The third stage: Leap Of Vanity / Death In this painting I capture the particular moment in which our soul leaves our body. In my belief, after we die, our souls float and are being elevated to heaven where we are meeting with God as he then will decide what our next life will be like. Whoever does good in this life will have a better next life, so I have been taught by my Buddhist upbringing. This painting equates funeral with atmosphere. The soul of the deceased is being given flowers as a Goodbye gift from our loved ones. Music is played at the funeral to help our souls to go to heaven in peace. There is nothing to be really sad about death because death is just a passage leading our souls to the next stage. Death frees our souls from our bodily pain and allows us to move on to another life, a new beginning. The fourth stage: Entering the Virgin Bath/ Re-Birth The idea of this image is not really new; I just re-interpret an old mythos called “The Virgin Bath”. In the ancient time, mankind believed that the Virgin Bath is a place where old and sick people enter a magical swimming pool and come out on the other side young and healthy again. But I take this belief a little bit further. When I see the painting “Der Jungbrunnen” by Lucas Cranach and consider the reality of life then I can see that there in fact is a real existing Virgin Bath. It is not a swimming pool like in the Old Masters paintings, but in reality it is our mother’s womb. The sequence of events in this painting works from right to left as re-incarnation itself is like a reverse event. Once again I portray a dead body and a soul that rises from it and then enters the bubble (heaven) where it can rest, transform and enter a new body – ready to be born again. This bubble is filled with fluid of life, our souls floating inside and receiving a new body. Once again, a re-birth takes place. The far left of the painting, I painted the young pregnant mother holding a double sand clock (symbol of eternity, a circle of life itself) and a child (Jesus kind from Raffaello Sanzio) standing near her. They are looking into each others eyes, he seeks a security and love from his mother and she is giving him a comfort and a mother´s love through her eyes. The mother and a child are the symbol of a new beginning. In conclusion, this bubble is nothing else but our mother’s womb: The Virgin Bath.

Details & Dimensions

Multi-paneled Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:299.2 W x 53.1 H x 2 D in

Number of Panels:2

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Prasong Kantanee Born in Chiang Mai, Thailand Education: B.A. in Business Administration at Strayer University, Washington DC, USA Although my academic study had nothing to do with Arts, my main interest in life has always been about Arts. Illustrating my imagination on paper and canvas as drawings or paintings has been my obsession. Ever since I was young I found myself drawing human bodies and a few times I got even caught in class during lecture by my teachers. Of course, they made fun of me since I drew mostly naked bodies, but that did not stop my passion for Arts at all. Later I finally got the chance of taking a summer class of Intensive Figure Drawing with live nude models at the National Cathedral of Washington DC. It was not really a class about teaching how to draw, but more of letting us draw and then share the result with our class mates. Doing this we could learn how the same object can be interpreted on paper in many ways by different artists and different styles of drawings, some more abstract, some more realistic. It was the first time in my life that I had the chance to draw live models. It was rather interesting for me to discover that live models give a much better perspective for the drawing of the human body than drawing from imagination only. It is fair to say that this was a turning point for me and my interest in Arts and I became rather obsessive with it. My Career as an Antique Dealer has given me a very good opportunity to get more knowledge of fine Arts as I attend often auctions and I also receive frequently auctions catalogues which often contain elaborated description of Old Master paintings as well as story and history behind them. A lot of times I am surprised to see what kind of motives, painters and history exist that I have never heard about and they are really amazing wonderful masterpieces and not less quality than those world most famous paintings and artists . From this, my knowledge of Arts and history grows even more. Since 2007 I have begun using camera images instead of my own mirror image working with self timer features to make varieties of photographs of me for my paintings. This method allows me to use different angles and a variety of lighting effects as well. I added set decorations that work for my motives and themes, sometimes in the form of collages which I can store as a complete set of requisites of my paintings.

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