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Danae Painting

Ton Bartels

Netherlands

Painting, Oil on Canvas

Size: 23.6 W x 31.5 H x 0.4 D in

Ships in a Crate

$2,860

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

When an oracle predicts Akrisios will be murdered by a grandson, Akrisios decides to lock his only daughter Danaë in a bronze tower until she is too old to have children. During her captivity, however, Danaë is impregnated by the supreme god Zeus, who enters the tower through the barred window in th...

Year Created:

2023

Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 31.5 H x 0.4 D in

Ready to Hang:

Yes

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Need more information?

Ton Bartels is a Dutch artist. He studied at the Gerrit Rietveld Academy, where he graduated in 1978. He lives and works in Houten, Netherlands. Characteristic are his artistic reconfigurations of well-known iconic images from Greek mythology with forays into other art history subjects. Ton Bartels’ posthistorical work carefully examines the linearity of the historical perspective embedded in our visual understanding of the past. Alternately described as both ‘an unfettered spirit turned artist’ and ‘a contemporary iconoclastic’, his art takes a space beyond our traditional understanding of history to become a bridge between different eras and its new form of visual language. Bartels’ hybrid aesthetic is challenging. He uses a high level of craftsmanship that is based on classical techniques in combination with a twenty-first-century view of the possibilities of image editing, in which an almost Fauvist brushwork is leading.

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