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Deep Down Painting

Nina Roberts

Painting, Oil on Canvas

Size: 90.9 W x 121.9 H x 2 D cm

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The hanging body shape conveys a feeling of helplessness.

Year Created:

2017

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

90.9 W x 121.9 H x 2 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Nina Roberts was born in the county of Worcestershire. She grew up in West Africa, returning with her parents to England at the age of ten. She graduated from art college in the seventies, after studying illustration and design. Nina worked for London publishers, and then freelanced for The Garden studio, Covent Garden. In the late eighties Nina and her husband decided to move to Wiltshire, in the South West, where her husband began the long process of opening a stone quarry. The struggle for both was enormous, taking Nina away from her work to help with the business. After the gap, Nina decided to change direction and become a painter and print maker. Self taught, she visited the galleries and museums, marvelling at painters like Francis Bacon and the sculptor Rachel Whiteread. Through the image of the bed, Nina links birth and death. Her feelings of being trapped are conveyed in box shapes. She interprets the image of stone blocks, shafts and the underground in an abstract way, that screams out at you in her cold use of colour. Today Nina finds herself once again changing direction to work with recycled glass building 3D constructions, which to her surprise compliments her paintings and silk screen prints.

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