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Desacration - Mosul Painting

James P Graham

United Kingdom

Painting, Ink on Paper

Size: 16.5 W x 13.4 H x 1.2 D in

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About The Artwork

The main interlocking thread within my work has always been a fascination with the origin, manifestation and effect of real or imagined physical and metaphysical energy. The project ‘Desacration’ is the first that examines the negatively charged end of this spectrum using a technique oscillating between traditional cartography and three dimensional sculptural object. The subject matter is mournful, focussing on the Middle East where major damage of our natural environment is occuring through the plundering of raw materials and conflict, and the destruction of our own most ancient history takes place before our eyes! This project cannot come quickly enough. The current state of the world today is at a cliff edge bearing over a multi-faceted abyss. Future generations face a multitude of potential catastrophes: environmental collapse, overpopulation, unrest from mass migration, economic collapse and nuclear war. Where does Art fit into all this you may ask, dear viewer? Since the future seems so decidedly bleak are we even asking ourselves the correct questions? A solution may be found within the creative power of humanity to overcome, heal, and continue the path that every individual faces in their life. If there are solutions, we artists occupy a role and responsibility to inspire and lead people to think and act differently, to move for the common good….to evolve.

Details & Dimensions

Multi-paneled Painting:Ink on Paper

Original:One-of-a-kind Artwork

Size:16.5 W x 13.4 H x 1.2 D in

Number of Panels:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have been working full time as a multimedia artist for fifteen years working principally in film, photography, drawing and sculpture. I am auto-didactic. My artistic formation progressed from commercial photography into freeform filmmaking from 1986 until 2004. Mainly using landscape and nature, my work explores and often references the now disused term ‘scientia sacra’, imbuing chosen locations and objects with a metaphysical and ontological significance whilst pursuing an interest in unusual energetic fields. The results can be enticingly intangible, and in some cases, totally immersive. There are two important factors fundamental to my work. First, ‘intuition’ – the catalyst behind the creation of every artwork, and second, ‘resonance’– the result of the work as expressed through the viewer..

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