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This painting is named Detail From Another - Angel's Robe because I used a tightly cropped , detail photograph of a previous painting of mine as inspiration for the composition. I used the detail photograph to sketch the basic composition on the canvas.

This painting was done one night as I listened to Bruce Springsteen on XM Radio. They were re-playing his concert from Leeds. As I painted and listened and danced around, my thoughts went to Martin Truex Jr. because he is from New Jersey, like Bruce. I wondered if they knew each other. As the concert and the painting developed, I also meditated on Sherry Pollex and her ovarian cancer fight.  I saw a robe of an angel as a primary part of the composition and was moved to keep it forefront. The robe area reminded me of  Jim Dine's paintings of robes, so I was confident in my decision to keep it.

I use various charcoals and graphite sticks/pencils to sketch the composition on the canvas. I then quickly map-out values using various shades of the primary colors. I continue painting, changing directions as I go, modifying the composition, the colors, the values etc... As a contemporary artist, I believe an essential part of a painting is the paint itself; I hope to allow the paint to run, drip, cover, shade and express its properties on the canvas. As a student of painting, I love to explore other artists work - looking for the how, when and why of a painting as much as the content or meaning. Therefore, I leave traces of the underneath layers, marks, colors, etc. to be seen in my finished paintings.

IF Detail From Another - Angel's Robe ever sells, I promise to donate 100% of my portion to Sherry's 501k sherrystrong.org to honor her fight against ovarian cancer.
This painting is named Detail From Another - Angel's Robe because I used a tightly cropped , detail photograph of a previous painting of mine as inspiration for the composition. I used the detail photograph to sketch the basic composition on the canvas.

This painting was done one night as I listened to Bruce Springsteen on XM Radio. They were re-playing his concert from Leeds. As I painted and listened and danced around, my thoughts went to Martin Truex Jr. because he is from New Jersey, like Bruce. I wondered if they knew each other. As the concert and the painting developed, I also meditated on Sherry Pollex and her ovarian cancer fight.  I saw a robe of an angel as a primary part of the composition and was moved to keep it forefront. The robe area reminded me of  Jim Dine's paintings of robes, so I was confident in my decision to keep it.

I use various charcoals and graphite sticks/pencils to sketch the composition on the canvas. I then quickly map-out values using various shades of the primary colors. I continue painting, changing directions as I go, modifying the composition, the colors, the values etc... As a contemporary artist, I believe an essential part of a painting is the paint itself; I hope to allow the paint to run, drip, cover, shade and express its properties on the canvas. As a student of painting, I love to explore other artists work - looking for the how, when and why of a painting as much as the content or meaning. Therefore, I leave traces of the underneath layers, marks, colors, etc. to be seen in my finished paintings.

IF Detail From Another - Angel's Robe ever sells, I promise to donate 100% of my portion to Sherry's 501k sherrystrong.org to honor her fight against ovarian cancer.
This painting is named Detail From Another - Angel's Robe because I used a tightly cropped , detail photograph of a previous painting of mine as inspiration for the composition. I used the detail photograph to sketch the basic composition on the canvas.

This painting was done one night as I listened to Bruce Springsteen on XM Radio. They were re-playing his concert from Leeds. As I painted and listened and danced around, my thoughts went to Martin Truex Jr. because he is from New Jersey, like Bruce. I wondered if they knew each other. As the concert and the painting developed, I also meditated on Sherry Pollex and her ovarian cancer fight.  I saw a robe of an angel as a primary part of the composition and was moved to keep it forefront. The robe area reminded me of  Jim Dine's paintings of robes, so I was confident in my decision to keep it.

I use various charcoals and graphite sticks/pencils to sketch the composition on the canvas. I then quickly map-out values using various shades of the primary colors. I continue painting, changing directions as I go, modifying the composition, the colors, the values etc... As a contemporary artist, I believe an essential part of a painting is the paint itself; I hope to allow the paint to run, drip, cover, shade and express its properties on the canvas. As a student of painting, I love to explore other artists work - looking for the how, when and why of a painting as much as the content or meaning. Therefore, I leave traces of the underneath layers, marks, colors, etc. to be seen in my finished paintings.

IF Detail From Another - Angel's Robe ever sells, I promise to donate 100% of my portion to Sherry's 501k sherrystrong.org to honor her fight against ovarian cancer.

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Detail From Another - Angel's Robe 2018 Painting

Steven Page Prewitt

United States

Painting, Oil on Canvas

Size: 36 W x 48 H x 1.5 D in

Ships in a Crate

SOLD
Originally listed for $2,510

105 Views

3

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
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This painting is named Detail From Another - Angel's Robe because I used a tightly cropped , detail photograph of a previous painting of mine as inspiration for the composition. I used the detail photograph to sketch the basic composition on the canvas. This painting was done one night as I listene...

Year Created:

2018

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

36 W x 48 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

I love art. I love making art. I love building. I look at art everyday even if I don't have time to make it. I love painting; I love drawing and mark making, print making, and construction. I love layers. I live for pentimenti. I love art history. Like Matthew in the Bible traces the genealogy of Jesus back to the beginning of man, I trace my "lineage" of art back to Manet, Monet and Cezanne. Van Gogh. Matisse. Mondrian and Kandinsky. de Stael. Motherwell, Newman and Hoffman. Rothko, Kline and Pollock. Hopper and Avery. Diebenkorn. Johns. Stella. Dunlap.Reedy. Gusterson, Simons, Burridge and Brown. I have their pictures and quotes on my studio walls. I hope I would make them proud and make art worthy of their influences. For me and my journey, it is very important to know and understand the who, what, when, why, and how these Modern Art Masters created. My personal, intimate experience of mixing colors, stretching canvases, framing prints, holding brushes, or charcoal, or graphite, or scissors is built upon my passion for the Modern Masters and my teacher/mentors. The foundation they laid for me is at the core of my language/ style/ approach to making art. Like Motherwell stated, I work in series because a good thought usually cannot be communicated in just one picture. Artists need a language. Artists build our own language- one mark, one painting at a time. Contemporary. Direct and reactive, spontaneous- yet- intentional. Overlapping and over-painting. Heavy-handed and manly describes my artistic personality. My style and application of my mediums (acrylics, oils, inks, graphite, collage, charcoal, watercolor) is more like a framing carpenter than a master furniture maker. I always build in layers of medium. Under-painting, mark-making, paint, sometimes collage, sometimes mono printing. More paint, more marks and so on.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Dallas

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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