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The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In this artwork, I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are the main components of my artistic work. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color range is precisely considered. The color nuances are mixed and prepared for days long.
The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In this artwork, I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are the main components of my artistic work. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color range is precisely considered. The color nuances are mixed and prepared for days long.
The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In this artwork, I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are the main components of my artistic work. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color range is precisely considered. The color nuances are mixed and prepared for days long.
The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In this artwork, I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are the main components of my artistic work. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color range is precisely considered. The color nuances are mixed and prepared for days long.
The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In this artwork, I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are the main components of my artistic work. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color range is precisely considered. The color nuances are mixed and prepared for days long.

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Dioxazine Purple Painting

Juliana Do

Austria

Painting, Oil on Canvas

Size: 31.5 W x 51.2 H x 0.8 D in

Ships in a Tube

SOLD
Originally listed for $3,900

65 Views

4

Artist Recognition
link - Featured in Inside The Studio

Featured in Inside The Studio

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Artist featured in a collection

ABOUT THE ARTWORK

The oil technique has fantastic qualities and offers the highest degree of manipulation. It gives the possibility of glaze up to impasto structure in a rich spectrum of color pigments. In this artwork, I make use of both. The classification leads to so-called "stripe art". Decorative art does not appeal to my own sensation, so I interpreted it in my own way. Light and space are the main components of my artistic work. And color development is one of my priorities. The pictures are drawn with the spatula. The irregular hand pressure gives a wonderful lively development of the lines. The "line row" tells their story of change from impasto to wafer-thin, from visible to dissolved, from permanent to broken, from one color to another. This development which manifests itself in each "line row" results in the overall image effect. The color range is precisely considered. The color nuances are mixed and prepared for days long.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

31.5 W x 51.2 H x 0.8 D in

SHIPPING AND RETURNS
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

„As color research translated into painting, the artist understands this and other of her works, which are characterized by the approach of finding the concrete out of the abstraction to the concrete of the color. In this, she has developed a mastery, which is increased by the fact that she creates deep spatial effects from the combination of materials and their specific application on the painting surface“. Writes Dr. Konrad Scheurmann in his book, Dialogue Color - Contributions from Science, Art and Society by André Karliczek and Dr. Konrad Scheurmann 2017

Artist Recognition
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Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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