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Sri Lanka
Painting, Oil on Canvas
Size: 15.7 W x 19.6 H x 1 D in
Ships in a Crate
Inspired by the novel 'Do Androids dream of Electric Sheep', where post apocolypic life and a nuclear tragedy had wiped out the nation and androids were replaced as human form. These portraits draw the idea that todays computerised nation has 'dehumanised' our society, and this painting depicts a depth that humans have been dehumanised, with the use of realism and pop art / abstract brush strokes which emphasise both the human and android qualities humans hold today in this age. Painted on primed linen, male portrait, framed in a black timber frame.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:15.7 W x 19.6 H x 1 D in
Frame:Black
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Sri Lanka.
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Sri Lanka
Natasha was brought up in London where she completed her foundation in Art at the University Of Arts London (Camberwell). She continued her education at London College of Communication and was awarded her Bachelors Degree with First Class Honours in Architecture and Design. For the past few years she has based herself in Colombo to further her Fine Art and Architecture. Natasha has designed public interior spaces in both London and Colombo. This vocational background in architecture and interior design has enabled Natasha, in her fine art, to explore the essence of spatial nature. Currently using linen as a medium, something she often used in her design career, she explores and develops portrait painting in a fluid and imaginative based style, mixing both realism and abstract brush forms to create her style. Inspired by the spatial and compositional aspects of architecture, Natasha’s work explores the importance of negative space, where the blank space on the linen becomes as important as the paint itself.
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