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El Argumento Painting

alicia amador

Mexico

Painting, Oil on Canvas

Size: 39.4 W x 23.6 H x 1.6 D in

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$925

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ABOUT THE ARTWORK
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“The Argument” is part of “Dance” exhibition (Museo de la Ciudad de Querétaro 2020). This series explores the deconstructive process in painting as a language, incorporating the parallelisms between my own evolution as an artist and the analysis on different referential levels of William Blake “The ...

Year Created:

2020

Subject:
Medium:

Multi-paneled Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 23.6 H x 1.6 D in

Number of Panels:

2

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Mexico.

Customs:

Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Alicia Amador Hernández was born in Mexico City, on December 9, 1964. Her works are part of collections in San Diego, New York, London, San Salvador, Bilbao and Paris. As part of her professional development, she has participated in some editorial projects like the creation in 1986 of the cultural section of the bimonthly magazine Secofi produced by the Secretary of Commerce and Industrial Development. And in 1990 she was editor of the supplement "El coleccionista" of Casas&Gente magazine. Her work refers, on the one hand, to genre painting—portraits and still lifes— as well as to the discipline of guild workshops, as a starting point whose intention is a far cry from flat conservatism and aspires to to create through painting and drawing symbolic themes that emerge, advance and culminate in a critique and questioning of the conventional social, economic, family, and traditional cultural structures. Amador's body of work, using traditional techniques such as tempera, oil and engraving, constantly rethinks her own reality to translate it into connections that go from the visceral to the convulsed and from the immediate to the permanent. The appearances, the spontaneous and the heartbreaking envision the deformations, the extreme,ß and the beauty in her compositions.

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