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Painting, Oil on Canvas
Size: 130 W x 96 H x 0.1 D in
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555 Views
24
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7X11FT. Dimensions are approximate. oil, charcoal, on canvas. Painted to the edges of the canvas. exhibited at Lower Bottom Gallery, Oakand from 1/2013 - 2/2013. "Exit Series" is a focus on horizon lines. The kind that are not cut off by buildings or trees, but go on only as far as the eye can see and are essentially unreachable. Meant to be expansions of space into different worlds, or different paths one can choose from, the paintings lead to a destination that will always be unattainable. The origin for the series of paintings comes from a personal crossroads, seeming that all choices for the future are infinite, but none feel possible. This series plays on the sense of limited vs limitless. This is raw canvas, very large, and has been rolled up for about 5 years. I will make sure it is in good condition but there will need to be some working of the canvas to get it displayed properly. IE: stretched or flat. Exit Series #3 and #4 are sold. #1 is available. #5 is not for sale.
2012
Oil on Canvas
One-of-a-kind Artwork
130 W x 96 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Rhea Cutillo is a contemporary artist concerned with the human-nature relationship and wide open spaces both in the physical, ecological world and in the internal, cerebral realm. She has exhibited across the United States and internationally, including the Alexandria Museum of Art, Yellowstone Art Museum and the award-winning festival List í Ljósi. Her work is in private collections across North America and the U.K. She is a graduate of The Barnes Foundation Museum Barnes-de Mazia Program, Philadelphia PA; Mills College, Oakland, CA (B.A. 2011); and attended the Leroy E. Hoffberger Graduate School of Painting at the Maryland Institute College of Art. Rhea Cutillo is both an artist and herbalist. Her studies at The School of Evolutionary Herbalism, Oregon, and the East West School of Traditional Chinese Medicine, California have informed her worldview of natural reciprocity and the need for ecological and cultural reconciliation. Currently a Dean's Merit Scholar at Harvard University’s Graduate School of Design, her projects focus on the importance of embodied knowledge to understand space and place. Her work stems from a recognition that it is not just the biosphere that is disappearing, but our heritage and communion with the land is in question as well. In 2022, her work was published in New American Paintings Magazine #138 and PXV Art Mag #5. In Spring 2023 she lectures and exhibits with Philadelphia Water Works on the impacts of climate change.
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