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FBM.march2016 Painting

Francesca Maxwell

United Kingdom

Painting, Ink on Paper

Size: 19 W x 28 H x 1 D in

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$860

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About The Artwork

I often try to capture the energy, shapes and movement of the microscopic life of bacteria and plankton as well as the macroscopic life of the cosmos. In this work in particular I was painting the expansion and encounter of different energies. I start my painting covering the white paper with masking fluid then adding layers of acrylic inks and more masking fluid all applied with different tools, working in reverse, from light into dark. Finishing with watercolours to add depth and enhance areas. For this work I have used Fabriano watercolour paper size 71x50 cm.

Details & Dimensions

Painting:Ink on Paper

Original:One-of-a-kind Artwork

Size:19 W x 28 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am fascinated by the effects of transparency and layering in a variety of media, particularly with ink and watercolour but also with pastels, fused glass and digital painting. Through shapes and colours I am exploring movement and depth following my intuitive journey; sometime in a more figurative and sometime in a completely abstract world. Landscapes and light reflections, sometime observed for a long time, sometime briefly glimpsed, create thoughts and emotions which become the images I paint. After moving to England I worked as a scenic artist at the National Theatre, Opera North, the Bristol Old Vic, Shakespeare at the Tobacco Factory and many other theatres throughout the UK. In the last fifteen years I worked in stop-motion animation; as senior painter on Aardman’s “Chicken Run”, head painter on Tim Burton’s “The Corpse Bride” and Art Director on “Fantastic Mr Fox” and “ParaNorman”. I teach courses and workshops on Colour, Brushworks and Old Masters techniques at the Royal West Academy in Bristol. I founded and run for two years the Post Graduate Course in Scenic Art at the Bristol Old Vic Theatre School and still teach there part-time both in Figurative Scenic Art and on Animation Projects. I am also visiting tutor in Animation Design at the National Film and Television School in Beaconsfield, London and recently run a Stop-Motion animation workshop at the Academy of Performing Arts in Hong Kong

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