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This piece is inspired by the return and flight of a disoriented bird, reaching its maximum splendor in a blue flame. I decided to work on this art on wood since texture was an important part of the conjunction of the elements to be used, they generated a color range that pleases me and motivates me to generate a compositional process in motion. The work is a piece of encaustic collage on wood. The piece is free for you to decide its type of framing and it can fit into the space you have selected to inhabit.
This piece is inspired by the return and flight of a disoriented bird, reaching its maximum splendor in a blue flame. I decided to work on this art on wood since texture was an important part of the conjunction of the elements to be used, they generated a color range that pleases me and motivates me to generate a compositional process in motion. The work is a piece of encaustic collage on wood. The piece is free for you to decide its type of framing and it can fit into the space you have selected to inhabit.
This piece is inspired by the return and flight of a disoriented bird, reaching its maximum splendor in a blue flame. I decided to work on this art on wood since texture was an important part of the conjunction of the elements to be used, they generated a color range that pleases me and motivates me to generate a compositional process in motion. The work is a piece of encaustic collage on wood. The piece is free for you to decide its type of framing and it can fit into the space you have selected to inhabit.
This piece is inspired by the return and flight of a disoriented bird, reaching its maximum splendor in a blue flame. I decided to work on this art on wood since texture was an important part of the conjunction of the elements to be used, they generated a color range that pleases me and motivates me to generate a compositional process in motion. The work is a piece of encaustic collage on wood. The piece is free for you to decide its type of framing and it can fit into the space you have selected to inhabit.
This piece is inspired by the return and flight of a disoriented bird, reaching its maximum splendor in a blue flame. I decided to work on this art on wood since texture was an important part of the conjunction of the elements to be used, they generated a color range that pleases me and motivates me to generate a compositional process in motion. The work is a piece of encaustic collage on wood. The piece is free for you to decide its type of framing and it can fit into the space you have selected to inhabit.

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Flama en veta Painting

Daniel Bahena

Mexico

Painting, Ink on Wood

Size: 16.5 W x 15.2 H x 0.1 D in

Ships in a Box

SOLD
Originally listed for $330

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ABOUT THE ARTWORK

This piece is inspired by the return and flight of a disoriented bird, reaching its maximum splendor in a blue flame. I decided to work on this art on wood since texture was an important part of the conjunction of the elements to be used, they generated a color range that pleases me and motivates me to generate a compositional process in motion. The work is a piece of encaustic collage on wood. The piece is free for you to decide its type of framing and it can fit into the space you have selected to inhabit.

DETAILS AND DIMENSIONS
Painting:

Ink on Wood

Original:

One-of-a-kind Artwork

Size:

16.5 W x 15.2 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a plastic artist from Mexico. My work is always an introspection towards what has marked me since childhood, the latent memory of living in a city of overwhelming nature (Cuernavaca), with direct contact with natural beings, friends and accomplices of encounters within a same habitat, where the messages are palpated from a reality parallel. All these connections developed in my house in the childhood located right on the side of a ravine, which gave me the encounter and the language have always been in this relationship man-nature. Drawing is the medium in which I can extend each of the codes on paper and alternative substrates; the paper has been one of the most important materials, developing my work to through various techniques such as the use of ink, dyes Natural, Graphite, Watercolor, Acrylic, Etched, Encaustic and Paper Cut. Currently my work is in a constant evolution rooted in certain inclinations towards my natural environment, metaphysical, the occult and my wild state, which it is plagued with the organic and imaginary context of my beings.

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