599 Views
12
View In My Room
Painting, Oil on Wood
Size: 96.1 W x 59.8 H x 2.4 D in
Ships in a Crate
599 Views
12
A painting that is inspired by a sense of the image being driven and battling with the process of the work. Layering, removing and adding different paints/glazes give the piece a great sense of depth along with its very large format on two boards creating feeling of real presence.
Oil on Wood
One-of-a-kind Artwork
96.1 W x 59.8 H x 2.4 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Artist, living and working in London creating paintings that are primarily based around figurative concerns. More recently my work has retained the figurative aspects that primarily hold interest for me, employing more observational drawing and relying on the repetition of painting to find and ‘describe’ the image. My painting practice is often quite spontaneous, with the challenges of drawing, colour and composition being worked out on the surface. This, for me, gives the work a history and narrative with the glimpses of previous marks and colours that lend a sense of both frustration and resolution. I’m very interested in working practices that are borne from an inherent understanding of the materials to hand. This is not restricted to painting but does involve other forms of mark making and construction techniques. Paint has been the obsession for most of my art practice and the resultant challenges this presents in creating work that is a reflection on traditional representation and pushing beyond the normal expectations of portraiture. My work is predominately derived from ‘the self’ and through the process of working, the faces become more anonymous to an end result that is traditionally applied yet retains little of the original features that define an identity or an immediately recognisable face.
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