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View In My Room
Painting, Oil on Canvas
Size: 11.8 W x 7.9 H x 0.6 D in
Ships in a Box
34 Views
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An image of the Chilean pampas at the end of the afternoon. The canvas strongly renders the contrast between shadow and light. One more attempt to make the strength of this Chilean sun. Canvas painted with a brush double zero, on a commercial canvas supplemented with two additional layers of gesso. The model comes from my own photographs.
Oil on Canvas
One-of-a-kind Artwork
11.8 W x 7.9 H x 0.6 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Chile.
Shipments from Chile may experience delays due to country's regulations for exporting valuable artworks.
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I'm a French painter and engraver, born 1954, living en Chile for 12 years. The required level of skill to make good etchings allowed me to become a more demanding paintor. I like the technical challenges of painting and engraving. I have been teaching painting in Chile for 10 years. Figuration for etching, hyperrealism and expressionist abstraction for painting are what I prefer to do. Engraving: My work is done in at least two stages: a plate for the image support, and another for tattoos. This superposition allows me to create encounters between cultures that have never met (example: the mask of Tutankamon with Ashentis tattoos). My goal tends to renew the view that the viewer has on the various elements. Abstract painting: The Chilean culture made me know runes, which have lost their original meanings and acquired here a magical dimension. I abstractly report the magical meaning of these runes. Hyperrealism: In my landscape paintings (I fell in love with pampas and Chilean deserts) I try to erase the effects specific to photography rather than trying to approach a photographic rendering. I do not want people saying "it looks like a picture" but "it looks like reality". But as nature does not care much about pictorial rendering, the reality is rarely as it appears on the painting. Especially since I usually add a detail denoting the human presence.
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