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'Grand Canyon North Rim' - both panels in single frame
Left panel framed
Right panel framed
'Grand Canyon North Rim' gallery view
102 Views
6

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'Grand Canyon North Rim' Painting

George Brinner

United States

Painting, Oil on Wood

Size: 60 W x 34 H x 2 D in

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SOLD
Originally listed for $4,950
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102 Views
6

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About The Artwork

Grand Canyon North Rim' is a large contemporary expressionist diptych. It is painted in oils on two cradled, hand-prepared hardboard panels, each measuring 34"x 30" for an over all dimension of 34"x 60". It is an expressionist's interpretation of the canyon view known as Wotan's Throne, completed recently in my Arizona studio from color noted sketches and photographs taken on location. Since the painting is on two panels, you have the option of a single frame for the two panels or the more popular option of framing the panels separately. [The options are shown in the accompanying photos. The work will be shipped in free separate frames unless otherwise specified, as shown in the main photograph, built for the painting's protection in transit. Many of my collectors find these hand-made gallery-style frames perfectly suitable for their display. A certificate of authenticity is enclosed.

Details & Dimensions

Multi-paneled Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:60 W x 34 H x 2 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Loren Dunlap’s innovative two-dimensional design program at John Herron Art Institute in Indianapolis was an early influence that persists today in my approach to painting. It gave me a unique foundation – a specific point of view. After two years at Herron, I received a scholarship from Tulane University’s Sophie Newcomb in New Orleans. The Abstract Expressionists were all the rage in ‘the art world’ then; DeKooning and that crowd. (One of the most celebrated, Helen Frankenthaler, while only briefly my instructor at Newcomb, absolutely changed my way of thinking about the making of art.) From Tulane, I was selected to work on the Owenite restoration Project in New Harmony, Indiana and was an adviser and instructor for the Blaffer Foundation Art Project that followed. I came to Hawaii by chance in the summer of nineteen seventy-eight and began a long-lasting affiliation with Lynn Shue and her Village Gallery Contemporary in Lahaina. I have been a resident of Maui ever since. [Since the summer of 2014 I have also been spending part of each year in Arizona and working out of my studio there.]          ​  

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