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Painting, Oil on Canvas

24 W x 30 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

My paintings begin with a gesture which is an expressive line created by observing nature, the human figure, or dictated by an emotion. I then abstract and push and pull the gestural line adding bold colors while allowing ideas to emerge from and recede into the canvas. This energy creates surfaces ...

Year Created:

2019

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

24 W x 30 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

I was born in a small town in northeastern Wisconsin. I remember always being drawn to the arts. I went on to graduate with a degree in architecture. I worked as an architect for 25 years, for many of those years I focused on high rise commercial projects, cresting many major architectural wonders that dot the skylines of London, Shanghai, Barcelona and Chicago. In 2008 i retired from architecture so that i could paint on a full time basis. In the first couple of years i did several group shows and numerous solo shows. I consider myself a self taught painter. My first love was and greatest early focus was in Abstraction. My beginning works were architectural in nature. I departed from that when i realized the constrictions and limitations of the architectural form. Eventually I discovered the human form as a subject matter. I found the human form to be a hierarchy of structures but believe that a painting starts with a gesture re-inferring some of the symmetry and nuance my original training. I like to start a painting with a field of human gestures, then i go back in and exploit the more pronounced shapes in the human form. From here I am that fine line between abstraction and realism. The shapes and forms I emphasize start to add patterns and direction to the painting. It is here that abstraction takes over and the original gestures of the human form take on a new language.

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Curator - Will Hardy

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