188 Views
10
View In My Room
Painting, Charcoal on Canvas
Size: 19.7 W x 19.7 H x 2 D in
Ships in a Box
188 Views
10
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
'Henry' is a painting inspired by the character of Henry from the Surreal film 'Eraserhead' from Director David Lynch. Film is very influential to me. The dramatic light, tension and sound of particular film resonates with me and can at times feed into a work I have made. Henry wonders through his...
Year Created:
2015
Subject:
Mediums:
Painting, Charcoal on Canvas
Rarity:
One-of-a-kind Artwork
Size:
19.7 W x 19.7 H x 2 D in
Ready to Hang:
Not Applicable
Frame:
White
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Need more information?
Jennifer Mills
United Kingdom
Canadian-born Jennifer Mills moved to London aged 3 where she still resides and works. She has spent her life pursuing many creative passions. At 17 she pursued full time studies in dance, but returned to her first love of painting, securing a place at Central St. Martins School of Art where she trained under London Group Artist Mike Thorpe. Jennifer often uses film, music and particular images that resonate with her whilst she is painting. Her work is evocative and passionate and is constantly evolving. Painting humans using figurative expressionism and/or her style of portraiture. The paint/colour is sculpted on the surface. She is interested in the presence they evoke in an unspecified space. How they represent deep sensibilities and the human state. Her figures grow out of a dialogue with the paint. The illustrative turns into sensation using autobiographical influences.
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