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Imbalanced Nude Descending II Painting

Noah Bowman

Canada

Painting, Acrylic On Canvas on Canvas

Size: 66 W x 48 H x 1 D in

Ships in a Tube

$5,350

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1382 Views

36

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Imbalanced is inspired from gestural movements of the body and are studies of the transitional state of consciousness between the body and mind. Figuratively based, the painterly gestures and raw color of paint strokes emphasize subtle and drastic movements of body parts that are blended and layere...

Year Created:

2012

Subject:
Mediums:

Painting, Acrylic On Canvas on Canvas

Rarity:

One-of-a-kind Artwork

Size:

66 W x 48 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

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Need more information?

The paintings I create are expressions of gestural spontaneity and formal deconstruction of the canvas. I’m most interested in each moment or fragment of the canvas being a sensation of losing or finding oneself in a space of metaphysical or existential sub-consciousness. My practice is devoted to studying the body’s movement or layout beyond the conventional pictorial planes, defined by layer upon layer of paint. The act of painting, as I know, is reflected and studied through metaphysical instances of existence and absence, and questions the sensations we feel as humans through color and form. I like to critique relevant cultural discourse such as consciousness, sensations, stereotypes, clichés, rhetorical statements, ideals and beauty in my paintings. The figurative-abstract or “fabstract” style is a deconstruction of still and moving figurative renderings. I feel that through abstracting the figure, I am distorting the lens of normality much like these discourses abstract our perception of normal.

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