Impossible architecture. Balancing with lines Painting

Aina Melis (b. Mallorca, Spain) is a visual artist based in Turku, Finland. She studied Fine Arts at the University of Barcelona, where she developed a lasting interest in drawing, printmaking, and geometric abstraction. Her practice explores balance, perception, and time through repetition, structure, and gradual transformation. At the core of her work is the gradient, understood not only as a visual device but as a philosophy of change. Gradients allow transformation to unfold slowly, through controlled and predictable steps. Rather than abrupt shifts, her surfaces move patiently from one tone to another, creating spaces of transition where difference is felt through accumulation. These gradual changes reflect both emotional and sensory experience, offering a way to engage with change at a pace that remains grounded. Drawing, particularly with graphite, plays a central role in this process. Through repetitive, hand-drawn strokes, she builds vibrating textures and tonal fields where rhythm and tactility become forms of regulation. Each mark carries the trace of time, turning repetition into a stabilizing structure in which subtle variation can emerge. Line and construction further extend this language. Repeated stripes, arcs, and modular forms generate architectural compositions that suggest progression through rhythm rather than narrative. In these works, time becomes visible through pattern, and balance is achieved through proportion instead of symmetry. In recent years, she has expanded her practice into linocut printing and collage, maintaining a strong focus on process across materials. While her visual vocabulary draws from Minimalism, Suprematism, Bauhaus design, and architectural forms, the visible presence of the hand introduces softness and imperfection. Precision remains human, and structure becomes a space where repetition and change coexist.