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James Ruddle: Morocco Painting

James Ruddle

Painting, Mixed Media on Other

Size: 26 W x 48 H x 3 D in

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Burn paintings are created through the process of burning images onto the canvas. Preparatory sketches are first drafted and are later drawn with pencil onto the raw canvas. Once the pencil drawing is on the canvas, a blow torch is used to carefully burn the contour lines and details of the image. ...

Year Created:

2009

Subject:
Mediums:

Painting, Mixed Media on Other

Rarity:

One-of-a-kind Artwork

Size:

26 W x 48 H x 3 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Need more information?

Need more information?

I was born july 8 1981 in Hamilton Ontario Canada. I attended Westdale Secondary School and began painting in Oil at the age of 16. I was a graphic designer and scanner operator at SE Graphics from 1998-1999. I went to Mcmaster University where I began studying Multi media and Fine Arts. I dropped out of Multi media in 2nd year and Focused Full Time on the creation of art and organizing my artistic Philosophy. Graham Todd and Allan Flint were major influences in the direction my life and art took. I am currently practicing arT and Teaching in the Greater Toronto Area. Artist Statement The juxtaposition of natural and industrial landscapes is a large theme throughout my work. While industrial landscapes, and in particular factory work sites, are often regarded in a negative way as unsightly and dirty locales, there is a beauty behind the grimy and sooty facades. In this series I was heavily influenced by my roots in Hamilton, Ontario, as I monumentalize such landscapes by recreating them with elements of fire, water and pigment. The rawness and hardness of the steel and concrete is somehow balanced well by the shores of Lake Ontario, the Hamilton escarpment and sky. These paintings are also interpretations of the dilemma of today's reality. Our society needs factories, such as steel mills and oil refineries to properly function, but they are a great source of contamination to our environment. This series is particularly relevant in today's political climate, with the increased focus on global warming and the need to implement new plans for a healthier planet.

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