VIEW IN MY ROOM
United Kingdom
Painting, Oil on Wood
Size: 23.5 W x 20.5 H x 2 D in
Part of the No Man's Land Series Jane Dieulafoy 1851 – 1916: was a French archaeologist, explorer, novelist and journalist. She was the wife of Marcel-Auguste Dieulafoy. Together with her husband, she is known for her excavations at Susa. During her travels abroad, Jane Dieulafoy preferred to dress in men's clothing and wear her hair short, because it was otherwise difficult for a woman to travel freely in a Muslim country. She had also dressed as a man when she fought alongside Marcel Dieulafoy during the Franc-Prussian war and she kept dressing in men's clothing when she came back in France. This was against the law in France at the time, but when she returned from the Middle East she received special "permission de travestissement" from the prefect of police. It is difficult to determine Dieulafoy's motives for choosing to wear men's clothing. She wrote, "I only do this to save time. I buy ready-made suits and I can use the time saved this way to do more work" but, given that she includes many characters who cross-dress in her fiction (see her novels Volontaire and Frère Pélage, for example) she was clearly fascinated with the subject of cross-dressing and her motives appear to be more complex than mere convenience. Dieulafoy considered herself an equal to her husband, but was also fiercely loyal to him. She was opposed to the idea of divorce, believing it degraded women. During the First World War, she petitioned for allowing women a greater role in the military. She was a member of the jury of the prix Femina literary prize from its creation in 1904 until her death. (source: wikipedia) Original artwork available through The Martin Tinney Gallery, Cardiff
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:23.5 W x 20.5 H x 2 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United Kingdom
I began producing elaborate mixed media pieces while on my long stay in Venice, making use of the city-floor ephemera of discarded museum leaflets and postcards. Incorporating ‘scraps’ of the past, sourced from secondhand books and magazines, and the maps I grew up with as the child of an intrepid Geophysicist, I produced a diary of sorts, the alternative reality of a history I invented for myself. I have since developed this way of working, often inspired by current events, creating ‘intricate scenes of social malfunction’, my investigations into ‘the human condition’ through a series of imagined portraits. I studied Fine Art at Oxford Brookes University, spending my final year at The School of the Art Institute of Chicago on an extended travel award. Graduating in 1992 I moved back to London, where for a time I slipped into the world of graphic design and illustration, working for Raymond Loewy International, and subsequently becoming Course Tutor at Lambeth College, and later a lecturer at Worcester University. By the late 1990s, emboldened to pursue my painting career by formidable gallery owner and art advocate the late Elizabeth Organ, a series of events shaped my subsequent work, beginning with the move from London to unfeasibly feudal Herefordshire, a turbulent marriage in a ‘Gormenghast’ of a castle, and a subsequent period of exile in Venice. My work has most recently been shown at the Royal West of England Academy, Bristol and the Mernier Gallery, London, with an increasing following of private European collectors from Southern France to Croatia. Represented by: The Martin Tinney Gallery Cardiff http://www.artwales.com/ Gala Fine Art, Bristol http://galafineart.uk
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