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""Jesus Christ of Sinai"" Painting

Dimitrios Spanos, United Kingdom

Painting, Other

17.3 W x 34.3 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

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$5,090

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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The oldest known surviving example of the icon of Christ Pantocratora painted in encaustic on panel in the sixth century. It was preserved in the remote desert of the Sinai, in Saint Catherine's Monastery. The light moves from left to right creating a sense of mystery on the right side of the image....

Year Created:

2010

Subject:
Mediums:
Mediums:

Painting, Other

Rarity:

One-of-a-kind Artwork

Size:

17.3 W x 34.3 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am a multidisciplinary, self-taught emerging artist from Greece living in London. The last 25 years, I am experimenting with various forms of art and techniques of the Fine Arts of ancient Greece ,Egypt and Byzantium, whose civilizations still attract and conquer the minds and souls of the world. Specialising in the forms of fresco, encaustic, murals and mosaics, I have designed and produced unique artworks and installations for monasteries, churches and private clients in Greece, London, USA and Europe. My latest series, focuses on implementing those ancient forms and techniques on modern subjects with a critical view of social, political, financial and cultural issues ,exploring the relationship between the formal properties of antiquity and their cultural history and their development through the time, aiming to redefine styles and directions in an exhausted “con”-temporary art environment. Contemporary aggregates and building materials mixed and applied on a variety of surfaces, blended with natural pigments, acrylics, oils or hot wax, merge to form a single unit combined to tackle a variety of forms sculptured on surfaces as a bass or mezzo relief, painted in fresco, secco or encaustic, constructing a modern expression of eternity and monumental art. In an institutionalized world of mass consumption who neglects to account for the role of the traditional forms of art which are purposely downgraded and displaced, “traditionalism seems to be the only radicalism” Allegedly an Artist

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