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Kennington 2 Painting

Rebecca Coleman

United Kingdom

Painting, Oil on Canvas

Size: 16.1 W x 20.1 H x 0.8 D in

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Originally listed for $750

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ABOUT THE ARTWORK

Oil on canvas board. Part of a collection exploring and celebrating the colours, textures and shapes to be found in the tunnels of the London Underground. This piece depicts Kennington station on the Northern line, as viewed directly along the edge of the platform. The symmetry of the image contrasts the clean, smooth lines of the platform with the rough, residual traces of old advertisements on the tunnel wall. By careful selection of perspectives and viewpoints (and by removing almost all of the people), Rebecca is able to take seemingly ordinary scenes from the Tube network, and reveal their underlying qualities of beauty, which so often go unnoticed. State II

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

16.1 W x 20.1 H x 0.8 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Rebecca Coleman SGFA has exhibited work at some of the country's most iconic artistic locations — including the prestigious Royal Academy of Arts and the Royal West of England Academy — and with distinguished organisations including the Society of Wood Engravers and the Royal Society of British Artists. She has exhibited at galleries in London, the UK and overseas. In 2014 she was elected to the Society of Graphic Fine Art, and in the same year she held her first solo exhibition at the Vestry House Museum in Walthamstow, London. Having worked across a range of different media, Rebecca's focus in recent years has been on both exquisitely detailed monochrome printmaking and bright, colourful paintings in oil and acrylic. She has achieved particular recognition and success with her ongoing series of wood engravings and lino cuts exploring the world of the London Underground — which have featured in numerous exhibitions from the RA Summer Exhibition to the International Wood Engraving Invitational in Seattle. Many of these works reveal this subterranean world from the eyes of a fellow yet seldom-seen traveller, Rattus Norvegicus. The Tube has also featured in some of her most successful paintings to date, including a series of works featuring the iconic warning to 'Mind the Gap'. Shorn of much of their context, Rebecca uses these works to blur the distinction between realism and abstraction - prompting new interpretations of the familiar and everyday. In addition to urban scenes, Rebecca has also devoted much of her artistic focus to the natural world. This subject matter has found renewed attention following Rebecca's relocation to her new home and studio in south Wales.

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