L'albero della vita Painting

Artist -Painter- and-SculptorBorn in Syracuse in April of 1955 , Giuseppe Alberto Regoli, after earning a degree of ” Master of Art” , began to grow with increasing fervor that his vocation , having bound since childhood, spurred him to begin a first staff met with success from the gallery “THE Parnassus ” of Syracuse (1980) The onset encouraged him to persevere in the most difficult journey undertaken , so much so that in 1981 he reappeared to the public with new ” vernissaj ” set up in the gallery ” Fourteen ” by Florence and the “Premio Brunellesco ” in the same city that won the third prize. But his path , the path on the very substantial Art ” Humanity Total ” did not suffer a break , except when , in a period when the uproar raged for so-called painters of contemporary art , was induced to isolate themselves for a deep reflection . …Being paid for the restoration , for some time , the artist devoted himself to this art that had already given the chrism of the great master. But in his unconscious he deep thinking mind and spirit ( in pisposta the forfeiture of ideas and models of these painters improvised ) in a frantic search for the recovery of the traditional identity of art, so that , as if by magic , on his palette appeared traces of a ” found” , or ” randomness ” in the forms of artistic expression peculiar art itself, were designed to want to denounce the social and cultural foundations of civilization in place . The artist did not stop in this vocation , continuing to represent this impact , with an artistic orientation that trespassing in an esoteric surrealism , indicating a diagnosis addressed to want to peer into the mysteries of the occult or the Universe. ( A.E.Mastriani ) . They wrote to him , Sebastian Lanteri , Katerina Theofili ,Carmelo Tuccitto , Sergio Bartolucci, and many other distinguished art critics D’ art.The beginning of my vocation year 1963, vocation dates from early childhood, witnessing the creation of a sacred painting representing the family. It was 1963 when I began my reflection on human existence. From that moment began the journey towards the knowledge of the idea made ​​manifest with imaginary visions and studies of pairs of colors to represent my imagination and make it real on the canvas with pictorial representations and symbols that indicate an invisible world, almost abstract.