• Saatchi Art Artist Davis Lisboa; Painting, “Marcel Broodthaers #7” #art
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    Close-up view: Davis Lisboa, "Marcel Broodthaers #7 (Paintings)", 2017, oil on canvas, 11,8 x 11,8 x 1.57 in (30 x 30 x 3,5 cm)
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    Back view: Davis Lisboa, "Marcel Broodthaers #7 (Paintings)", 2017, oil on canvas, 11,8 x 11,8 x 1.57 in (30 x 30 x 3,5 cm)
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    Studio view: Davis Lisboa, "Marcel Broodthaers #7 (Paintings)", 2017, oil on canvas, 11,8 x 11,8 x 1.57 in (30 x 30 x 3,5 cm)
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    Angle view: Davis Lisboa, "Marcel Broodthaers #7 (Paintings)", 2017, oil on canvas, 11,8 x 11,8 x 1.57 in (30 x 30 x 3,5 cm)
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    On a wall view: Davis Lisboa, "Marcel Broodthaers #7 (Paintings)", 2017, oil on canvas, 11,8 x 11,8 x 1.57 in (30 x 30 x 3,5 cm)
  • additional view of artwork by Davis Lisboa
  • additional view of artwork by Davis Lisboa
  • additional view of artwork by Davis Lisboa
  • additional view of artwork by Davis Lisboa
  • additional view of artwork by Davis Lisboa

Marcel Broodthaers #7


Spain

Painting
Size: 11.8 H x 11.8 W x 1.6 in

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Artist Recognition

Artist featured in a collection Artist featured in a collection

Art Description

Painting: Oil on Canvas.

THE PAINTINGS SECTION FROM DAVIS MUSEUM

The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona

Davis Lisboa, “Marcel Broodthaers #7", 2017, oil on canvas, 11,8 x 11,8 x 1,57 in (30 x 30 x 3,5 cm)

What/who inspired the work?

Conceptually, I was inspired by a film still from "Wax Figures (Jeremy Bentham)", recorded in London, 1973 by Marcel Broodthaers. In it the Belgian artist asks questions of a wax figure of the philosopher and jurist Jeremy Bentham (1748-1832), one of the founders of the University of London. The painting presents the exact moment when Broodthaers asks Bentham: "Do you prefer to dream?"

Formally, I was inspired by the German painter Gerhard Richter, who began in 1960's to create his iconic photographic paintings. From a collection of photographs that he added throughout his life - from press clippings to family photos - Richter projected and drew the images on a canvas. In the process of recreating the photos, he erased the images, leaving the subjects unidentifiable.

What do you hope its viewers will feel/think?

I hope that viewers understand that there is a narrative within the history of art that deals with the artists who created their own museums. This narrative is constructed through Marcel Duchamp (Boîte-en-valise, 1936-1941), Robert Filliou (La galerie légitime, 1962-1963) and Marcel Broodthaers (Musée d'Art Moderne, Département des Aigles, 1968-1972). Following this narrative, I decided to create the Davis Museum | The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona (2009-ongoing), which is, simultaneously, a readymade sculpture, a non-profit collective art project, and at the same time, a cultural entity recognized by the Generalitat de Catalunya (an Autonomous Community in Spain).

Created symbolically in an electoral ballot box and disseminated mainly through Facebook, the Davis Museum is also the smallest contemporary art museum in the world.

This cultural entity has several sections and one of them is "The Paintings Section From Davis Museum". It is divided into portraits and still lifes. The portraits represent Marcel Duchamp, Robert Filliou and Marcel Broodthaers; while still lifes represent the "Boîte-en-valise" (Box in a suitcase), the "Galerie légitime" (Legitimate gallery) and the "Musée d'Art Moderne, Département des Aigles" (Museum of Modern Art, Department of Eagles).

Why did you choose the medium, the frame format and the color?

I chose oil on canvas because I am interested in painting not only because of its versatility as a medium but also because of its rich historical repository of images and ideas.

Only the best materials have been used for this work: linen canvas, oil paintings by Old Holland and medium by Blockx. As the Davis Museum is a cube, I chose the frame of the paintings to be square. And since the Davis Museum's brand color is blue, I chose the same color for all the paintings.

“The Paintings Section” is the only section of the Davis Museum where works of art are on sale. Support The Davis Museum art project by buying now this painting on Saatchi Art.

THE PAINTINGS FROM DAVIS MUSEUM IN PUBLIC AND PRIVATE COLLECTIONS

The Alejandro Vásquez Herrero Collection, Viladecans, Spain.
The Daniel Marcoux Collection, Montreal, Canada.
The Francesc Torres Collection, Barcelona, Spain.
The Geert De Kegel Collection, Zele, Belgium.
The Soteris Argyrou Collection, Nicosia, Cyprus.
The Yellowstone Club Collection, Big Sky, Montana, USA.

Keywords: Portrait, Profile, Side, Jeremy Bentham, Blue, Blur, Davis Museum, Broodthaers, Film Still, Artist, Head, Museum

Subjects: Portrait

Styles: Portraiture, Fine Art, Figurative, Documentary, Photorealism

Mediums: Oil

Materials: Canvas

Prints: Portrait Art Prints, Portraiture Art Prints, Fine Art Art Prints, Figurative Art Prints, Documentary Art Prints, Photorealism Art Prints, Oil Art Prints, Canvas Art Prints

Artist Recognition

Artist featured in a collection Artist featured by Saatchi Art in a collection

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