208 Views
49
View In My Room
Painting, Oil on Canvas
Size: 16.5 W x 26 H x 2 D in
Ships in a Box
208 Views
49
Artist Recognition
Featured in the Catalog
Artist featured in a collection
ABOUT THE ARTWORK
This painting is a delicate problem statement of the development of painting as a medium and the study of time through the optics of the subconscious. The project is built on a constant flickering of a thoughtful transition from painting to video art. This mediality suggests that not only are the artists interested in formal searches, but also in exploring visual communication with the viewer. Akimova focuses our attention on the clash of temporalities: painting and duration, the moment and video. Creating a multi-dimensional space using theatrically staged lighting most likely suggests blurring the border between consciousness and reality, which appears as a cluster of visual information, rather than an attempt to go beyond the canvas.
Original Created:
2018
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Painting:
Oil on Canvas
Original:
One-of-a-kind Artwork
Size:
16.5 W x 26 H x 2 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Georgia.
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Fedora Akimova
Georgia
Fiodora Akimova is a mixed-media artist specializing in installations, video, and objects. Born in 1987 in Kyiv, she began her creative career as an illustrator after obtaining her first degree in Printmaking and Graphic Design. In 2010, she moved to Russia, first to Kaliningrad, then to Saint Petersburg, where she studied set design and staging. This degree in Theater Decoration and Scenography had a significant influence on her artistic development, as she integrated various techniques and crafts into her work. Since March 2022, Fedora has been living and working in Tbilisi (Georgia) and Paris. Before February 24, her works resembled plastic experiments used to express global civilizational and philosophical issues, reflecting an escapism into a hypothetical world devoid of humanity. The full-scale invasion, her relocation, and the complete upheaval of her daily life led her to reevaluate her identity and artistic strategy. Her "pre-war" research and artistic themes lost their relevance, pushing her to reinvent her artistic language.
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