Mi corazón es un pequeño coágulo de sangre, yo lo escogí. Nunca se cura, nunca desaparece Painting

Ero-fides proposes a critical and cross-reading of modernity focused on gender norms, androcentrism and symbolic violence present in the images of visual culture. Using the Femme fatale archetype , image rooted in the fear of the woman and her conversion virgin - mother to demon - woman . Unveiling the disobedient woman, facing directly to the concept of motherhood. (The Woman Who have no children by choice , or even rebelling against them and kills them , as happens to Medea) . The strength of the male order is perceived in the fact that no justification is required: Androcentric vision is imposed as if it were neutral and not need to state legitimacy in his speeches. "She had become, has it were, the symbolic incarnation of undiying Lust. The Goddess of inmortal Hysteria, the acursed Beauty exalted above all other beauties by the catalepsy that hardens her flesh and steels her muscles, the monstrous Beast, indifferent, irresponsible, insensible, poisoning, like the Helen of ancient myth, everything that approaches her, everything that sees her, everything that she touches." Huysmans, À rebours