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View In My Room
Painting, Airbrush on Canvas
Size: 31.5 W x 31.5 H x 1.5 D in
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Showed at the The Other Art Fair
Artist featured in a collection
I use unconventional painting techniques combining glitter, glue and airbrush to create an all-over glitter weave. These resulting process-intensive paintings are non-representational and forgo all suggestion of figuration. The details are in the execution of the process. Full artistic control from inception: fabric selection, stretching, priming, size of glitter particles, and colour palette. Two paintings in one: the glitter gradient painting is completed, then cut into strips and reconstructed into a patterned weave which is then wrapped around another canvas. In effect deconstructing what is already made in order to reconstruct something new and better. Totally abstract process driven work with an emphasis on colour, pattern and radiance. Here inspired by colours from Missoni which combines my love of fashion genius into my work. The radiant pattern juxtaposed agains a calm raw linen background.
2022
Airbrush on Canvas
One-of-a-kind Artwork
31.5 W x 31.5 H x 1.5 D in
Not Framed
Not applicable
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United Kingdom.
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United Kingdom
Shelly is a visual artist, raised in South Africa, of Israeli origin and now working from her studio in North London. She completed a Law degree in South Africa and is a self taught artist who turned her attention to painting after a career in the City of London, alongside having 3 children. Her shimmering paired back colour field paintings explore a process of mixing unconventional materials together to create a surface where glitter, paint and pigment particles coalesce to incantatory effect. In fusing colour and reflective particles on the canvas the artist is reminded of her move from South Africa to London and the deep impact a change in light and colours had on her emotional state. Her paintings aim to capture the powerful emotive qualities of colour. The aesthetic experience is one where the paintings are devoid of figurative content. The paired back colour delivers a portal to at once loose and find oneself. The viewer looks, there is nothing to see but a shimmering colour field, so the focus shifts internally to experience how it feels. Reducing the work to colour, materiality, and light opened the artist up to new ideas and ways of thinking about making. She experimented with tools such as airbrush, spray guns, flake guns and a variety of fabrics and developed an approach where thin veils of colour are lightly sprayed over the prepared substrate. As the spray hits the ground, the colour fuses with the glittering particles beneath and the surface is transformed into a bed of colour, light and shine. Some paintings are embellished with emojis. The language of emojis is like that of colours; they both communicate without words. Other paintings are transformed into a woven version of themselves. Initially the idea of the weave arose out of the desire to repurpose paintings with flawed surfaces and the impetus to take ideas further which is embedded in her practice as a self taught artist.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London
Artist featured by Saatchi Art in a collection
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