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Modern Tibetan Man Painting

Ai Min Zhang

Painting, Oil on Canvas

Size: 19.7 W x 15.7 H x 1 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Modern Tibetan Man: oil painting portrait by Dapu (Ai Min Zhang) He wears his hair long but neat. He has traditional beaded and braided headband on underneath a more fanciful modern cowboy hat. He is a modern man from the Tibetan Plateau, in the region around the border between China and Tibet. ...

Year Created:

1970

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 15.7 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price. An agent fee may be required to process the shipment due to China's export policy.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

China.

Customs:

Shipments from China may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Dapu (Ai Min Zhang; Zhang Ai Min) received his degree in art from the Henan Zhumadian Art Collage in 1991 and, later, took advanced lessons in modern art development from Li Zheng Tian, the famous artist/dissident/art teacher, at the Guangzhou Fine Arts Academy. Indeed, although he originally painted under the name Yang Zhang, his name, Dapu, meaning without guile, was bestowed upon him by Li Zheng Tian. His career has taken him to the far corners of China. In the early 1990's, he lived in Shenzhen, in the east, just next to Hong Kong, where he befriended a number of Western artists from whom he learned some of his technique. But Dapu had a desire to experience and capture the lives of real people, in China, so, next, he set off for the far west to Xinjiang. In Xinjiang, he worked along side the Uyghur, picking cotton and helping farmers, and he painted landscapes and portraits from that area, most of which have ended up in collections of people from Shanghai. In 2001, he traveled to the Tibetan Plateau, near Qinghai, to capture some scenes from that area of the world. He was so moved by the beauty of that rough and rugged area and the gentle people who live there that he decided to move his family, there, so that he could devote all of his time to producing art, chronicling the area and its peoples.

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