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A glimpse as the moon does not just look like the projection of the acacia tree on the bark.
mixed media bark, oil and enamel paint, sand, broken slate on a wooden panel.
A glimpse as the moon does not just look like the projection of the acacia tree on the bark.
mixed media bark, oil and enamel paint, sand, broken slate on a wooden panel.
Moon On The Zenith mixed media bark, oil and enamel paint, sand, broken slate on a wooden panel

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Moon On The Zenith Painting

Szilard Barta

Hungary

Painting, Oil on Wood

Size: 16.1 W x 33.5 H x 1.6 D in

Ships in a Box

SOLD
Originally listed for $1,070

146 Views

11

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A glimpse as the moon does not just look like the projection of the acacia tree on the bark. mixed media bark, oil and enamel paint, sand, broken slate on a wooden panel.

Year Created:

2017

Subject:
Medium:

Painting, Oil on Wood

Rarity:

One-of-a-kind Artwork

Size:

16.1 W x 33.5 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Hungary.

Need more information?

Need more information?

Szilárd Barta was born in 1977. I am a self-taught painter and alpinist from Debrecen. I am constantly looking for connections between the forces that appear in our daily lives and those that shape the universe. Nothing is accidental, only causal and causal relationships. I follow the path of material use and surface formation in such a way that the materials retain their integrity while being completely assimilated and creating a homogeneous platform. My own limitations and the materials used, crossing its boundaries, at the end of the creative process, only material and space and time remain. Where our own thoughts are absurd, yet they can be connected in a familiar dimension to the process of creation. During this process, I exclude the illusion of conscious control, and I only follow my intuition, the evolution of material processes. They penetrate the surrounding space, providing strong meditative or productive energy, giving questions or clear answers to the observer who is connected to the process network. True recognition is individual to everyone and differs depending on how we approach these open points. A discovery that explores new relationships and new dimensions. I relied solely on my own research and technical studies of masters like Alberto Burri, Ferruccio Bortoluzzi, Agustino Bonalumi, Hisao Domoto, Robert Rauschenberg.

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