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Close-up Detail: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
Back Side: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
Hanging on an Easel: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
Different Angle: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
Hanging on the Wall: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
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"Musée d'Art Moderne 11 (André Cadere)" Painting

Davis Lisboa

Spain

Painting, Oil on Canvas

Size: 31.5 W x 31.5 H x 1.4 D in

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About The Artwork

For this painting I have been inspired by a photograph of the artist André Cadere holding one of his iconic works, possibly "Barre de bois cubique" (Cubic Wooden Rod) made in 1971, while visiting the "Section Publicité, Section d'Art Moderne" from "Musée d'Art Ancien Galerie du XXème Siècle" by Marcel Broodthaers, in Documenta V, Kassel, Germany. There is a narrative within the history of art that deals with the artists who created their own museums: Marcel Duchamp (Boite-en-valise, 1936-1941), Robert Filliou (La Galerie légitime, from 1962-1963) and Marcel Broodthaers (Musée of Art Moderne, Département des Aigles, 1968-1972). To follow this line, I have created the "Davis Museum | The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona", a museum linked to social networks. My museum has several sections, including "The Paintings Section From Davis Museum" where the paintings are for sale and which is divided between portraits of Marcel Duchamp, Robert Filliou and Marcel Broodthaers and still lifes from "La Boite-en-valise", "La galerie Légitime" and the "Musée d'Art Moderne, Département des Aigles". I chose oil on canvas because I am interested in this technique, not only because of its versatility as a medium, but also because of its historical repository of images and ideas. I have only used the best painting materials: Linen canvas, Blockx brand turpentine and linseed oil and Old Holland brand oil paints. Public and Private Collections The Ashish Mistry Collection, Atlanta, USA The Daniel Marcoux Collection, Montreal, Canada The Denise Siqueira Collection, São Paulo, Brazil The Francesc Torres Collection, Barcelona, Spain The Geert De Kegel Collection, Zele, Belgium The James Dacre Collection, London, United Kingdom The Philip Henderson Collection, Atlanta, USA The Soteris Argyrou Collection, Nicosia, Cyprus The Taylor Smith Collection, Indianapolis, USA The Yellowstone Club Collection, Big Sky, Montana, USA

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 1.4 D in

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My name is Davis Lisboa (1965, São Paulo, Brazil), living and working in Barcelona, Spain. I'm a multifaceted illustrator and painter who, through my work, try to erase the boundaries between graphic arts and fine arts, high and low culture, art and the market, crafts and technology. In 2009 I created the Davis Museum | Davis Lisboa Mini-Museum of Contemporary Art in Barcelona. I have studied Desenho de Comunicação at the ETE Carlos de Campos and Painting at the Centre d'Art i Disseny Escola Massana and at the Facultat de Belles Arts de la Universitat de Barcelona. Since 1982 I've been working as a storyboard artist creating storyboards for various advertising agencies in Brazil, Spain, Russia, England or the United States. In 1987 I moved to Barcelona, where I worked as a graphic illustrator in a design studio and two years later, I opened my own illustration and painting studio. In 2005 I began to hold exhibitions as an artistic, figurative and contemporary painter at art galleries, cultural centers and art museums, and in 2009, I created the Davis Museum | The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona, a cultural entity recognized by the Generalitat de Catalunya, now, expanding my activity towards cultural management. I have participated in several exhibitions, including Museum Show at Arnolfini, Bristol, England; Eleven: The John Erickson Museum of Art (JEMA) 10 Year Retrospective at The Harn Museum of Art, Gainesville, USA and at the Galería Bob Rauschenberg, Fort Myers, USA; Remix - 10 years in the mix at the en la Spor Klübü, Berlin, Germany; Small, Unusual and Specialist Museums Survey at the CRATE Studio and Project Space, Margate, England; Incubarte at Centro del Carmen, Valencia, Spain; FluxFest 2019, Pride Mail Project and Big Ideas in Small Art at The Rose Shelton Gallery, Toronto, Canada; Aquí y Ahora 6 - Power, corruption & lies at the Galería Blanca Soto, Madrid, Spain; VI Biennale Internazionale dell'Arte Contemporanea di Firenze, Italy; Holland Art Fair, The Hague; La Secció de les Pintures del Davis Museum, at the Casa del LLibre, Barcelona, Spain; NeoLatinísiiimo Art Biennial at the City Lights Gallery, Bridgeport, Connecticut, USA; Mirades des del confinament, con Joan Fontcuberta, Festival Cruïlla, Òmnium Cultural, Igualada, España, among others.

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