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Close-up Detail: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
Back Side: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
Hanging on an Easel: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
Different Angle: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
Hanging on the Wall: Davis Lisboa, "Musée d'art Moderne 11 (André Cadere), 2022, oil on canvas, 31,49 x 31,49 x 1,37 in (80 x 80 x 3,5 cm)
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"Musée d'Art Moderne 11 (André Cadere)" Painting

Davis Lisboa

Spain

Painting, Oil on Canvas

Size: 31.5 W x 31.5 H x 1.4 D in

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About The Artwork

I was inspired by a photograph taken by Bernard Marcelis of the artist André Cadere holding his work 'Barre de bois cubique' (Cubic Wooden Bar) in front of Marcel Broodthaers' 'Mirror of the Regency Era' at the 'Informations' exhibition curated by Harald Szeemann. The exhibition took place from February 22 to April 28, 1974, and featured participation from Cadere, Marcel Broodthaers, Robert Ryman, and Dan von Severen at the Palais des Beaux-Arts in Brussels. There is a narrative within the history of art that deals with the artists who created their own museums: Marcel Duchamp (Boite-en-valise, 1936-1941), Robert Filliou (La Galerie légitime, from 1962-1963) and Marcel Broodthaers (Musée of Art Moderne, Département des Aigles, 1968-1972). To follow this line, I have created the "Davis Museum | The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona", a museum linked to social networks. My museum has several sections, including "The Paintings Section From Davis Museum" where the paintings are for sale and which is divided between portraits of Marcel Duchamp, Robert Filliou and Marcel Broodthaers and still lifes from "La Boite-en-valise", "La galerie Légitime" and the "Musée d'Art Moderne, Département des Aigles". "Musée d'Art Moderne 11 (André Cadere)" was the selected artwork for the cover of the book "Grimus," written by Salman Rushdie and published by Éditions Gallimard in Paris, France. https://www.gallimard.fr/Catalogue/GALLIMARD/Folio/Folio/Grimus Public and Private Collections The Ashish Mistry Collection, Atlanta, USA The Daniel Marcoux Collection, Montreal, Canada The Denise Siqueira Collection, São Paulo, Brazil The Francesc Torres Collection, Barcelona, Spain The Geert De Kegel Collection, Zele, Belgium The James Dacre Collection, London, United Kingdom The Philip Henderson Collection, Atlanta, USA The Soteris Argyrou Collection, Nicosia, Cyprus The Taylor Smith Collection, Indianapolis, USA The Yellowstone Club Collection, Big Sky, Montana, USA

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 1.4 D in

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Davis Lisboa is an illustrator and painter who studied Desenho de Comunicação at ETE Carlos de Campos and Painting at the Centre d'Art i Disseny Escola Massana and at the Facultat de Belles Arts of the Universitat de Barcelona. He has worked as a storyboard artist since 1982, creating storyboards for various advertising agencies in Brazil, Spain, Russia, England, and the United States. Since 2005, he has been exhibiting as an artistic, figurative, and contemporary painter at art galleries, cultural centers, and art museums, and in 2009 he created the Davis Museum | The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona. His works are part of several collections worldwide, and he has focused on investigating the concept of museums created by artists, drawing inspiration from precedents such as Marcel Duchamp's La Boîte-en-Valise, Robert Filliou's Galerie légitime, and Marcel Broodthaers' Musée d'Art Moderne, Département des Aigles.

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