"N.40 - Waterfall II" Painting

My painting emerges from the friction between order and instability — a field where systems are constructed only to be dismantled. In my practice, abstraction is not a style, but a language that suspends representation in favor of sensory experience. Color, gesture, and pictorial matter operate as active forces that structure tensions between control and spontaneity. With an initial background in programming, I introduce a structural logic into the process that is deliberately destabilized through the act of painting. This dynamic becomes a conceptual axis, reflecting the human condition as a continuous search for balance in the face of unpredictability. My work engages with literary and philosophical references that remain latent — fragments of text concealed beneath layers of color, more suggested than revealed. Rather than proposing narratives, I construct fields of perception in which color assumes a central role, inviting the viewer into an experience that is direct, intimate, and open. I understand painting as a space of freedom and inquiry — a territory where materiality and thought converge, giving rise to gestures that are unique, irreproducible, and alive.