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New York (The Chrysler Building) 3 Painting

Tom Voyce

United Kingdom

Painting, Oil on Wood

Size: 31.5 W x 39.4 H x 0.4 D in

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SOLD
Originally listed for $3,340

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Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

In this third and final study of the view towards the Chrysler Building in New York, I have aimed infuse the energy and rhythm of the cityscape with expressionistic and semi-abstract touches. The brushstrokes aim to animate the scene with bold contrasts and a dynamic perspective that invites viewers to step into a moment of urban life, perfectly balanced by the majestic presence of the iconic structure in the New York skyline. Capturing the essence of the city’s architecture and light, this study is an adjustment from the previous in that it focuses more on an alternative angle of light and areas of shadow that creates a different feel to the composition. Many sketches were made around this part of the city and the compositions are adjusted to suit which areas of light and shape I felt would add to the study. All three in the series show a different angle, but all were made together to share a similar 'history' of development.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

31.5 W x 39.4 H x 0.4 D in

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Tom Voyce

Tom Voyce

United Kingdom

Tom Voyce (b. 1989) is an established UK painter with international exposure. His subject matter comprises of a variety of different themes such as airports, railway stations, roads and bridges and other places of transit. Voyce’s compositions consistently demonstrate an interest in the formal elements of composition: structure, perspective, shape and light. His paintings are accounts of fleeting moments within a landscape; the fall of light on a building, or the shadows cast by a motorway flyover. The strength in these pieces lies not in their faithful depiction of a landscape, but in their suggestion of a sense of place, of being present within a particular space at a particular moment. Artists such as Edward Hopper and Richard Diebenkorn have been immensely influential in his development, as have more contemporary artists- American painter Ben Aronson amongst others. Hopper's proverb, "if you can say it in words, then there's no reason to paint it", forms a principal part of my attitude towards the uniquely communicative purpose of art. His latest body of work entitled 'In Transit' is influenced by travel and place, exploring the landscapes and cityscapes of Canada, the United States, Fiji and New Zealand.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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