view additional image 1
In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.
In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.
In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.
In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.
In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.
VIEW IN MY ROOM

View In A Room

fullscreen

View Fullscreen

heart

Add to Favorites

View In My Room

VIEW IN MY ROOM

Next Past - Q.10.1
View In My Room

VIEW IN MY ROOM

Next Past - Q.10.1 Painting

Christoph Robausch

Austria

Painting, Ink on Aluminium

Size: 39.4 W x 39.4 H x 2 D in

Ships in a Crate

info-circle

check Shipping included

check 7 day money-back guarantee

info-circle
star-fullstar-fullstar-fullstar-fullstar-full Trustpilot Score

35

Views

24

Favorites

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

In the transition from painting to sculpture: armoring the canvas The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series. A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings. The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.

Details & Dimensions

Painting:Ink on Aluminium

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Robausch’s artworks oscillate between painting and sculpture, texture and structure, matter and space. Based on his long experience in architecture and industrial design, he developed a special technique to build wall objects and freestanding sculptures. The essence of his objects is the specially designed supporting structure - currently - coated with aluminium. Painted with india ink and hand-sanded with diamond abrasive, his artworks create a timeless depth, with a unique atmosphere.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 7-day, money-back guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support