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In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.
In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.
In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.
In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.
In the transition from painting to sculpture: armoring the canvas

The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series.

A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings.

The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.

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Next Past - Q.10.1 Painting

Christoph Robausch

Austria

Painting, Ink on Aluminium

Size: 39.4 W x 39.4 H x 2 D in

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$3,510

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ABOUT THE ARTWORK

In the transition from painting to sculpture: armoring the canvas The event of transition, the free swinging between the medium of the picture and the medium of sculpture, creates a peculiar state of light floating and dormant heaviness - formative and sustaining for the works in the "Next Past" series. A classic picture carrier - a sturdy wooden stretcher frame covered with black primed canvas - is covered with seamlessly joined aluminum fields and riveted. The final seal with white ink is hand-polished several times. Due to the natural oxide layer of the aluminum, the basic mood is permanently retained and the polished structures take up the color mood of the surroundings. The wall sculpture weighs 6 kg, is signed on the front and back with the initials cR and dated on the back. It is equipped with a slight spacing and heavy-duty hangers for easy mounting on the wall.

DETAILS AND DIMENSIONS
Painting:

Ink on Aluminium

Original:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Robausch's wall-objects and freestanding sculptures are built with manually formed aluminum. Every single step in the creative process are made by hand which gives his artworks timeless depth and a unique appeal. Most of his sculptures have a lightweight, stable supporting core enclosed by an aluminum shell. The aluminum surface of his new artworks is painted with iron pigments and is encouraged to rust. Robausch stands outside of the traditional art business. He prefers to explore how to transform the energy and mood of his physical artworks into short digital animations. His specially developed scripts unlock open spaces and times for his art.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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