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Painting, Oil on Canvas
Size: 15.7 W x 23.6 H x 0.7 D in
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I read a book shortly before painting this painting, ‘Genius, The Natural History of creativity by Hans Eysenck’ and on page 127 I read this line; “Genius is only found in males (for whatever reason!). Illustrations abound. In the list of geniuses studied by Cox, (1926) there are no women.” Let’s take note of the somewhat surprise from Eysenck as if he alludes to the reason actually being gender. So I’ll take a moment to elaborate the times. Women only won women’s rights in the 60’s and I doubt it was an easy road after that, sexism is still evident deep within culture so I don’t see women in the 60’s suddenly being accepted into jobs automatically without prejudice. The book itself points out that the definition of genius requires eminence in the field of your career. Women weren’t allowed careers so there you go, mystery solved. Even though another 60 years has passed we need to take into account that’s just your grandmother, or mothers generation who fought for equal rights and I bet there were some too busy raising young children to take it seriously. So you have your generation to be the first without prejudice in obtaining a job and on your way to the definition of genius. I personally argue it’s not a fresh start as in male dominated careers women report others having the opinion they won the job just please the stats and don’t receive the same respect amongst colleagues. As I read on it seemed as if the women who were eminent such as Marie Curie or Emily Dickinson must have just been considered very good. So the prejudice doesn’t just lie in not being able to find avenues to become eminent, but then being recognised as eminent. Following that thought I decided to whip out a female Einstein. She wears his jacket and the buttons lie the way a woman’s jacket does. This artwork is one of my hand-stretched ones, sold with hooks ready to hang and a certificate of authenticity.
Oil on Canvas
One-of-a-kind Artwork
15.7 W x 23.6 H x 0.7 D in
Not Framed
Yes
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I’m a surrealist and paint one painting and one digital artwork a week, I’ve turned them both into a series of colouring in books. My digital artworks are purely just creations with usually no intent although I paint mainly in visual metaphors of my experiences, perceptions or thoughts. I won’t paint if anyone’s around me in real life although do record them for people to see them come to life. Once the painting’s done, it’s done and I move onto the next. The result may not be a reflection of my best skill level at the age I create it, but a reflection of the mood and environment I created it in.
Artist featured by Saatchi Art in a collection
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