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I've spent a lot of time examining old walls, textures, rust, the remains of posters that have gone before. The blue strokes in this painting look like the text from an old sign, faded with age & re-imagined with other layers added over time. The bottom panel is quieter, an area of texture that you can wander into. It's a subtle painting, but strong in its presence with the heavy impasto texture I have used, and the bold blue strokes. This painting is ready to hang, no need for a frame, wires or cord. Just hang on wall-hooks or nails.
I've spent a lot of time examining old walls, textures, rust, the remains of posters that have gone before. The blue strokes in this painting look like the text from an old sign, faded with age & re-imagined with other layers added over time. The bottom panel is quieter, an area of texture that you can wander into. It's a subtle painting, but strong in its presence with the heavy impasto texture I have used, and the bold blue strokes. This painting is ready to hang, no need for a frame, wires or cord. Just hang on wall-hooks or nails.
I've spent a lot of time examining old walls, textures, rust, the remains of posters that have gone before. The blue strokes in this painting look like the text from an old sign, faded with age & re-imagined with other layers added over time. The bottom panel is quieter, an area of texture that you can wander into. It's a subtle painting, but strong in its presence with the heavy impasto texture I have used, and the bold blue strokes. This painting is ready to hang, no need for a frame, wires or cord. Just hang on wall-hooks or nails.
I've spent a lot of time examining old walls, textures, rust, the remains of posters that have gone before. The blue strokes in this painting look like the text from an old sign, faded with age & re-imagined with other layers added over time. The bottom panel is quieter, an area of texture that you can wander into. It's a subtle painting, but strong in its presence with the heavy impasto texture I have used, and the bold blue strokes. This painting is ready to hang, no need for a frame, wires or cord. Just hang on wall-hooks or nails.
I've spent a lot of time examining old walls, textures, rust, the remains of posters that have gone before. The blue strokes in this painting look like the text from an old sign, faded with age & re-imagined with other layers added over time. The bottom panel is quieter, an area of texture that you can wander into. It's a subtle painting, but strong in its presence with the heavy impasto texture I have used, and the bold blue strokes. This painting is ready to hang, no need for a frame, wires or cord. Just hang on wall-hooks or nails.
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VIEW IN MY ROOM

Notice Painting

Tracy Sweeney

Ireland

Painting, oils on Wood

Size: 19.7 W x 23.6 H x 0.8 D in

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SOLD
Originally listed for $990
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124 Views
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Artist Recognition

link - Featured in One to Watch

Featured in One to Watch

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Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

I've spent a lot of time examining old walls, textures, rust, the remains of posters that have gone before. The blue strokes in this painting look like the text from an old sign, faded with age & re-imagined with other layers added over time. The bottom panel is quieter, an area of texture that you can wander into. It's a subtle painting, but strong in its presence with the heavy impasto texture I have used, and the bold blue strokes. This painting is ready to hang, no need for a frame, wires or cord. Just hang on wall-hooks or nails.

Details & Dimensions

Painting:oils on Wood

Original:One-of-a-kind Artwork

Size:19.7 W x 23.6 H x 0.8 D in

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"What Sweeney has vividly evoked is its maker's desire to create a mark in public, to make something imperfect and thus unique. In this and many of these works, Sweeney's aesthetic is a raw one of the scrap yard, and at moments - the gutter" Jean Tormey, Curator, Tate Modern, London. Tracy Sweeney is an artist from Ireland. Her dynamic paintings have won major awards including the prestigious Pollock Krasner Award in New York. Sweeney's numerous international exhibitions have been met with much acclaim, particularly her exhibition "Station/Wall" in Grafiska Sallskapet Galleri, Stockholm; her work in the Paris Biennale 109 and a major group exhibition; "˜Grafiktriennalen', opened by King Carl Gustaf of Sweden in Stockholm, Sweden. Tracy Sweeney's paintings are held in major collections, galleries & museums throughout Ireland, Europe & the US. She is represented by Grafiska Sallskapet, & Galleri Ingela S, Stockholm, Sweden.

Artist Recognition

Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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