OLED I Painting

The solidified fluid that the pigmented transparent resin that I use in my compositions turns into is not without significance. The use of vivid, clean and bright colors is not random, it is a projection of my intimate experience. It is a reminder that despite the difficulties, life is full of light and color. They behave like magical mirrors that give us back images of the environment in which they are found and of the observer himself, who in this way is incorporated into the composition, completing the intention of the work. The naturalism resulting from the desire for sentimental projection described by the German art historian and theorist Wilhelm Worringer in his book “Abstraktion und Einfühlung” is not my usual line of work. It is the desire for abstraction that stirs my artistic sensibility. Quoting the French artist and pedagogue Jean-François Pirson in his book “La structure et l'objet”: “The created object is a moment of the intimate experience of the person. (...) but beyond the dazzle produced by the beauty of a work, the emotional shock or the poetics of the object, there is a proposal that, if not clearly perceived, can be understood.”