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During the pandemic, I focused on creative work as much as possible. A great opportunity has opened up to make several paintings in a row, to realize a couple of crazy ideas on canvases. This picture is called "Lobster, which weaves its fate." He is a creator, he is a weaver and he weaves his environment out of threads. This is not logic, this is not the rule, it is rather a projection of my internal state onto the canvas at a given moment in time. It turned out quite gloomy. Well, as it is, gentlemen. But honestly. And the fighting spirit.
Bonus story. At first I painted his claws stained with paint, as if he dipped each into acrylic jars and now blue, green, red drops are flowing from his cheburech faces. They fall into a colorful puddle and we see Omar the painter. The idea is the same, only the performance is more vivid. But the form did not go. That is, she was not to my liking. He did not go against his nature and made the threads as the hand went. I do not regret it.
I can’t say that I achieved complete harmony, because there are a lot of gags and it needs to be pumped separately in such paintings. By the way, who did not know, the same principle applies in creativity as in training - that we train, we develop.
During the pandemic, I focused on creative work as much as possible. A great opportunity has opened up to make several paintings in a row, to realize a couple of crazy ideas on canvases. This picture is called "Lobster, which weaves its fate." He is a creator, he is a weaver and he weaves his environment out of threads. This is not logic, this is not the rule, it is rather a projection of my internal state onto the canvas at a given moment in time. It turned out quite gloomy. Well, as it is, gentlemen. But honestly. And the fighting spirit.
Bonus story. At first I painted his claws stained with paint, as if he dipped each into acrylic jars and now blue, green, red drops are flowing from his cheburech faces. They fall into a colorful puddle and we see Omar the painter. The idea is the same, only the performance is more vivid. But the form did not go. That is, she was not to my liking. He did not go against his nature and made the threads as the hand went. I do not regret it.
I can’t say that I achieved complete harmony, because there are a lot of gags and it needs to be pumped separately in such paintings. By the way, who did not know, the same principle applies in creativity as in training - that we train, we develop.
During the pandemic, I focused on creative work as much as possible. A great opportunity has opened up to make several paintings in a row, to realize a couple of crazy ideas on canvases. This picture is called "Lobster, which weaves its fate." He is a creator, he is a weaver and he weaves his environment out of threads. This is not logic, this is not the rule, it is rather a projection of my internal state onto the canvas at a given moment in time. It turned out quite gloomy. Well, as it is, gentlemen. But honestly. And the fighting spirit.
Bonus story. At first I painted his claws stained with paint, as if he dipped each into acrylic jars and now blue, green, red drops are flowing from his cheburech faces. They fall into a colorful puddle and we see Omar the painter. The idea is the same, only the performance is more vivid. But the form did not go. That is, she was not to my liking. He did not go against his nature and made the threads as the hand went. I do not regret it.
I can’t say that I achieved complete harmony, because there are a lot of gags and it needs to be pumped separately in such paintings. By the way, who did not know, the same principle applies in creativity as in training - that we train, we develop.
During the pandemic, I focused on creative work as much as possible. A great opportunity has opened up to make several paintings in a row, to realize a couple of crazy ideas on canvases. This picture is called "Lobster, which weaves its fate." He is a creator, he is a weaver and he weaves his environment out of threads. This is not logic, this is not the rule, it is rather a projection of my internal state onto the canvas at a given moment in time. It turned out quite gloomy. Well, as it is, gentlemen. But honestly. And the fighting spirit.
Bonus story. At first I painted his claws stained with paint, as if he dipped each into acrylic jars and now blue, green, red drops are flowing from his cheburech faces. They fall into a colorful puddle and we see Omar the painter. The idea is the same, only the performance is more vivid. But the form did not go. That is, she was not to my liking. He did not go against his nature and made the threads as the hand went. I do not regret it.
I can’t say that I achieved complete harmony, because there are a lot of gags and it needs to be pumped separately in such paintings. By the way, who did not know, the same principle applies in creativity as in training - that we train, we develop.
During the pandemic, I focused on creative work as much as possible. A great opportunity has opened up to make several paintings in a row, to realize a couple of crazy ideas on canvases. This picture is called "Lobster, which weaves its fate." He is a creator, he is a weaver and he weaves his environment out of threads. This is not logic, this is not the rule, it is rather a projection of my internal state onto the canvas at a given moment in time. It turned out quite gloomy. Well, as it is, gentlemen. But honestly. And the fighting spirit.
Bonus story. At first I painted his claws stained with paint, as if he dipped each into acrylic jars and now blue, green, red drops are flowing from his cheburech faces. They fall into a colorful puddle and we see Omar the painter. The idea is the same, only the performance is more vivid. But the form did not go. That is, she was not to my liking. He did not go against his nature and made the threads as the hand went. I do not regret it.
I can’t say that I achieved complete harmony, because there are a lot of gags and it needs to be pumped separately in such paintings. By the way, who did not know, the same principle applies in creativity as in training - that we train, we develop.
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Omar who weaves his fate Painting

Aleksei ADLEXE Panfilov

Russia

Painting, Oil on Canvas

Size: 23.6 W x 27.5 H x 0.8 D in

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Originally listed for $2,000
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About The Artwork

During the pandemic, I focused on creative work as much as possible. A great opportunity has opened up to make several paintings in a row, to realize a couple of crazy ideas on canvases. This picture is called "Lobster, which weaves its fate." He is a creator, he is a weaver and he weaves his environment out of threads. This is not logic, this is not the rule, it is rather a projection of my internal state onto the canvas at a given moment in time. It turned out quite gloomy. Well, as it is, gentlemen. But honestly. And the fighting spirit. Bonus story. At first I painted his claws stained with paint, as if he dipped each into acrylic jars and now blue, green, red drops are flowing from his cheburech faces. They fall into a colorful puddle and we see Omar the painter. The idea is the same, only the performance is more vivid. But the form did not go. That is, she was not to my liking. He did not go against his nature and made the threads as the hand went. I do not regret it. I can’t say that I achieved complete harmony, because there are a lot of gags and it needs to be pumped separately in such paintings. By the way, who did not know, the same principle applies in creativity as in training - that we train, we develop.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 27.5 H x 0.8 D in

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I was born in 1991 in Ukraine, the city of Makeyevka, Donetsk region, but I grew up and live in Vladivostok, Primorsky Krai, Russia. Since childhood, I loved to sketch cars, knights and superheroes from cartoons. My first teacher was my older brother. I had a coloring with muscular characters and I stroked them with colored pencils in different directions. I remember how my brother explained to me that if you apply strokes in the shape of a muscle, the picture becomes three-dimensional. Since then, I realized that I really love to draw. At the age of 8, my parents enrolled in an art school, and after the 9th grade, I entered the painting department at the Art College of Vladivostok(2006-2011). My curator was a member of the Union of Artists M.V.Kholmogorova. Already during my studies, I took orders for portraits in oil, painted walls in graffiti style and began to earn money by drawing. After graduation, I entered the Far Eastern State Institute of Art in the department of painting(2011-2012), but did not continue to study, took the documents in the first year. Instead, I decided to comprehend painting on my own, talked to artists and began to paint more and more on order. At the moment, my works are in all art salons in Vladivostok, I sell creative paintings in private collections in China, and I accept orders mainly for oil portraits from photographs: single, double, family. Exhibition "Painting Vladivostok" May 1-19, 2018 Winner of the Art Battle, Shtykovsky Ponds 2018. I am preparing a fund of paintings for a personal exhibition. I specifically share creativity and work on order. When a client turns to me for a portrait, my task is not only to give a complete portrait resemblance on the canvas, but also to hear the person, his needs and to complete the picture as he himself imagines it. On the creative path, for me the most important thing is to express the feelings that come from the heart. Bare the soul in front of the viewer. There can be no framework and rules, I respect all styles and directions, the main thing is to choose an idea, technique and material so that it fully expresses the artist’s feelings on this topic. Artists are divided into two types: those who love chaos and those who like to draw a specific object. Simple stories with great volumetric shapes on canvas are great for me. Therefore, "for myself" I paint flowers, non-academic portraits and natural minerals. I work on oil on medium and large canvas.

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