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"Optical Momentum 11" Painting

Michael Herres

Painting, Watercolor on Other

11 W x 15.5 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Series of watercolors on Yupo paper based on the quote, "The enigma of optical momentum in a medium."

Year Created:

1970

Subject:
Mediums:

Painting, Watercolor on Other

Rarity:

One-of-a-kind Artwork

Size:

11 W x 15.5 H x 1.3 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

I split my time between Lincoln, Nebraska and Santa Fe, New Mexico, where I also maintain a studio. I tend to work in series. I will find some starting point, sometimes and idea or concept, sometimes an image. Then work with it until I think I have exhausted it, at that point I will set them aside and look for something new. The series are loosely based on sets of rules or parameters. Sometimes the idea dictates what materials I will use and other times the materials will dictate the idea. I try to "show" rather than "tell" in my work. It is not narrative, it doesn't tell a story. It is about experience and can be experienced differently by everyone who encounters it. Size does not matter but scale does. As the psychologist Carl Rodgers said, "That which is the most personal, is the most universal." My work is inner driven, I see myself as filter of culture and I am having a conversation with other artists through my work. I am just as interested in reading the biographies, writings and letters of artists as I am in their work. I want to know what they were thinking when they did the work. I want to get at their ideas and starting points and see where they take me anywhere from 10 to 500 years later.

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