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Painting, Oil on Canvas
Size: 31 W x 42 H x 1 D in
Ships in a Tube
$6,150
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84 Views
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ABOUT THE ARTWORK
This is a gallery quality, abstract assembled OILpainting for your home or office. It was painted with the highest quality materials and will make a statement in your space. It is part of a new series of pieces on canvas and is the First in the series. This piece has a mature design aesthetic and color palette. This painting is contrasted not only by the oil mediums, but also by the bold structures and assembled painted fabric against the negative space. The color palette is mature and deep. The streaking, brick-like colors have almost a comic book style quality to them and the unique surface texture makes the colors pop even more out at the viewer. The unique dividing fabric structure also continues onto the edges of this canvas to frame the piece as well as add an additional three dimensional design quality. It is an energetically mature piece that has structure, depth, and a unique design. A truly abstract painting like no other that will enhance the design of your space.
DETAILS AND DIMENSIONS
Painting:
Oil on Canvas
Original:
One-of-a-kind Artwork
Size:
31 W x 42 H x 1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
India.
Customs:
Shipments from India may experience delays due to country's regulations for exporting valuable artworks.
Have additional questions?
Please visit our help section or contact us.
Short Bio I was born at ELURU, A.P. in INDIA (SOUTH). Since the age of five I am closely integrated with the art. Being born to a renowned artist right from my childhood, I had an urge towards art and photography. I used to observe my father while he was painting and when he finished his work, I used to clean his brushes. Often I used to paint with the same brushes. I followed my passion for art and studied photography in the school. Subsequently, I was employed in IDPL Rishikesh, Uttaranchal as an Artist & Photographer. To fulfill my creative urge, I did several experiments for more than a decade on photo chemicals on bromide, and painting on used X ray film after treating them with photo chemicals. Living close to Himalaya Mountains, I was inspired by the splendors of nature and did several paintings on canvas. Positions held: President, Andhra academy of Arts, Vijayawada 1999 – Present Heading the art academy (recognized by L.K.A. New Delhi) that is dedicated towards promoting art and artists by organizing annual exhibitions, seminars, artist camps and workshops Qualification: ⦁ Diploma in Photography Govt.College of Fine Arts & Arch. J.N.T.U Hyderabad ⦁ Certificate course in Color Photo Technology, Indian Institute of Remote Sensing, Dehradun ON LINE SALES1--FINE ART AMERICA 2-ART FINDER 3-MOJARTO One –man shows: Conducted various painting and photo-painting exhibitions in prominent art galleries across the country. The exhibitions received critical applause from the press & T.V as well as enthusiastic response from the art lovers. Some important shows include: ⦁ State Gallery of Art,Hyderabad-2016 ⦁ Muse Art Gallery, Marriott Hotel, Hyderabad - 2014 ⦁ State Gallery of Arts, Hyderabad - 2011 ⦁ Andhra Academy Of Arts, Vijayawada - 2010 ⦁ Siddhartha College, Vijayawada – 2007 ⦁ Indraprasth Art Gallery,Delhi-2005 ⦁ Bajaj Art Gallery, Mumbai - 2003, 1993 ⦁ Nehru Centre, Worli, Mumbai - 1999 ⦁ Lalit Kala Academy, N.Delhi - 1999, 1995, 1991 ⦁ Jahanhgir Art Gallery, Mumbai - 1997, 1992 ⦁ Triveni Gallery, New Delhi - 1993 ⦁ India international Center, Lodi Road, N.Delhi. - 1992 ⦁ Academy of Fine Arts, Calcutta - 1992 ⦁ Lalit Kala academy, Regional Center, Madras – 1991, 1990 ⦁ Kirti Art gallery FORE, B-18, Qutub Institutional area, N.Delhi - 1991 ⦁ Lalit kala Academy, Lucknow - 1989 ⦁ Rashtrapati Bhawan, New Delhi.
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